Spreadin’ Peanutbutter – WHAM-O Stylee!


Peanutbutter Brown and Phast Phreddie the Boogaloo Omnibus swing at the WHAM-O WATUSI.

WHAM-O WATUSI #35 took place on Saturday, June 2, as per usual, at the Bootleg Bar in picturesque downtown Bushwick, Brooklyn, hosted by Phast Phreddie the Boogaloo Omnibus with guest DJ Peanutbutter Brown.  However, the night did not begin there and then. Our friend and great DJ of reet music PepperminTwist was in town. Several years ago, she and ace DJ Josh Styles teamed up to host Smashed!Blocked!, a super boss garage rock/freak beat event that was held monthly at the Beauty Bar in Manhattan. After Smashed!Blocked! terminated operations, she married an Italian and moved to Italy. She was in town for a weekend and our pal Drew Redmond was able to get her to DJ, along with ace DJ Sheila B and Jodie Artichoke–another fine DJ who also married a European and moved away. Together they presented The Fearsome Foursome–four fabulous DJs spinning hot 45s at the Lua Bar on the edge of East Williamsburg. So this was a reunion of sorts. 


Jodie Artichoke, Peppermintwist, Sheila B swing at the Lua Bar.


Phast Phreddie the Boogaloo Omnibus and Drew Redmond swing at the Lua Bar.

Phast Phreddie the Boogaloo Omnibus and Boogaloo Bag photographer Nancy “Jeannie” Gardner showed up at the Lua Bar around 8:30 or so and hung out for about 45 minutes. Drew was pulling out some wicked jams as PepperminTwist and Jodie Artichoke sampled the venue’s Asian cuisine and Miss Sheila prepared her set. Speaking of cuisine, Miss Nancy baked peanut butter cookies for the WHAM-O–in honor of Peanutbutter Brown, of course–and was happy to share them with our friends at the Lua Bar before she and The Boog made their way to the Bootleg Bar.

When The Boog and Miss Nancy arrived at the Boot, Peanutbutter Brown was there laying in wait for the peanut butter cookies!


Peanutbutter Brown demands peanut butter cookies!

Peanutbutter Brown used to live in Harlem. He started an excellent soul night there called The Uptown Getdown that played out in a couple of different clubs. Then, a few years ago, he moved to San Francisco, where he founded the Golden State Soul Club. After a couple of unfortunate events took place, he moved back to New York and now resides in Bushwick, just a few blocks from the Bootleg Bar. We will expect to see him at many future WHAMs as an attendee as well as a guest DJ.


Peanutbutter Brown works the turntables at the Bootleg Bar.

Peanutbutter Brown is mostly a soul records man, but at the WHAM-O he spun several R&B, Latin Boogaloo and rock records, too. It is a gas having him back on the scene. Plenty of our friends showed up during the night and by the end of it, all the peanut butter cookies, and most of the vegan brownies that Miss Nancy also made, were gone.


Miss Nancy made some yummy snacks for the WHAM-O WATUSI!


Peanutbutter Brown and Phast Phreddie the Boogaloo Omnibus politely discuss who gets to play the 100 Proof Aged in Soul record!

Meanwhile, back at the Lua Bar, The Fearsome Foursome night was scheduled to end at two in the morning, but it went so well that it remained happening for about an hour or so longer. Drew and the gals were planning to make the late scene at The WHAM, but by the time they got there, “last call” was being announced.

Here’s a list of all the records played by Phast Phreddie the Boogaloo Omnibus at the WHAM-O WATUSI:

None of these records are for sale. Some of them have links to the youtubes for your amusement and edification.



Another look at the delicious peanut butter cookies!!!


Subway Soul Club Ceremony!



Phast Phreddie the Boogaloo Omnibus, Ty Jesso, Yana Lil-Jerk and Lady Dawn swing at Subway Soul Club. Photo by Lauren Krohn.

Subway Soul Club came to order on Saturday, May 12, at a new venue under the able-bodied hostesship of Lady Dawn and with resident DJ Phast Phreddie the Boogaloo Omnibus. The event was held at Ceremony, a fairly new club in Williamsburg, Brooklyn. It is beautifully appointed, has a wonderful wooden floor, the management and the employees were easy to work with, and it is conveniently located near the crossroads of the G and L trains. Our pal Steve Myers hipped us to the joint about a year ago, but more recently, our friend Claudia Lily from The Baby Shakes went the extra mile to make introductions. Once Lady Dawn and Phast Phreddie saw the joint, they fell in love with it. It’s got a great DJ booth and it is often utilized by our friends Josh Styles, Avi Spivak and William Martin when they hold their Rebel Rouser Club House parties. Ceremony has plenty of room for dancing and it was all taken up by dancers on this night.


This evening’s guest DJs: Ty Jesso and Yana Lil-Jerk

For this Subway Soul Club event, guest DJs were Ty Jesso and Yana Lil-Jerk.

Ty Jesso is one of the East Coast’s best DJs of reet music. He hails from Providence, Rhode Island and his Soul Power that takes place there is often voted the best dance party in town by the local newspapers. He also helms Soulelujah in Cambridge, Massachusetts that is also very popular in the Boston area. Ty was one of the original guest DJs for Subway Soul Club dating back to its days at Rififi in the East Village. The cat has great records and he sure knows how to play them–and he played plenty.


Ty Jesso cues up another hot number at Subway Soul Club.

Yana Lil-Jerk has DJed all over town. Currently, she hosts the Bangarang (reggae, rocksteady, ska) and the Living for Kicks (garage rock, soul, R&B and other stuff) parties, usually at the Robert Bar. These gigs are always a gas. She has great soul records and she brought a box of them to Ceremony on May 12 where she kept the dance floor hopping all night. This was her first time working Subway Soul Club and she did a great job. You know she’ll get asked back.


Yana Lil-Jerk wants you to dance to the boss record she is playing at Subway Soul Club.

Ceremony was pretty full; not too full that folks couldn’t dance, though. The place was jumping with excitement, with folks showing up right at the nine o’clock opening and staying until nearly the three AM closing. We were happy to see a lot of long-time Subway Soul Club attendees as well as many new faces. Also on hand were several of the DJs who regularly guest at Subway Soul Club. There were plenty of English people, including a British fellow, now living in Toronto, who drove down with his wife.


Jumpy at the door!!!

As mentioned, Lady Dawn was in the house, flitting around in her groovy Mod threads, meeting and greeting folks. Special guest door-person was DJ Jumpy, who was occasionally given time off to dance. Miss Nancy Gardner made spicy cinnamon brownies for the event, but alas, could not make the scene.


Dancers swing at Subway Soul Club! Photo by Lauren Krohn.

At the end of the night, as folks were leaving, it was pretty unanimous that Ceremony may be the best place for Subway Soul Club since the Rififi days. Future dates are being negotiated, so the possibility of another Subway Soul Club event taking place before the end of the year is very strong.


Phast Phreddie the Boogaloo Omnibus displays his Lou Courtney record at Subway Soul Club. Photo by Lauren Krohn.

Here’s a list of all the records played by Phast Phreddie the Boogaloo Omnibus at Subway Soul Club:

None of these records are for sale. Click on them for hot, youtubes action!

SubwaySoul flyer Ceremony 5.18-01

Poster designed by Lady Dawn Carrington.

All the way with Lenny Kaye!


On May 5, The WHAM-O WATUSI blew into the Bootleg Bar in picturesque downtown Bushwick, Brooklyn with a very special guest DJ: Lenny Kaye.

WHAM-O host Phast Phreddie the Boogaloo Omnibus has known Mr. Kaye for more years than anyone cares to count. Mr. Kaye has been a hero, an inspiration and, most importantly, a friend. As guitarist in the Patti Smith Group, an author of books, a producer of records, and a singer of his own songs, he is often very busy. He enjoys DJing, and has recently started to take it a little more seriously than usual, but he rarely has the chance to do so. Mr. Kaye has a standing offer to DJ with the Phast Man whenever he wants, but the last time he was able to do so was December 2016–almost a year and a half ago.


Often, when these two DJ together they follow a theme. At first it was the Doo Wop Hop, which usually took place on or around Valentine’s Day. Then they did a night or two of all instrumentals. Once there was a reggae night and there may have been a girl group night–if not, there should have been. This time, at the WHAM-O, there were no restrictions. Boy, did Mr. Kaye take to that!

Mr. Kaye’s sets were heavy on the garage rock, with some sixties pop, rockabilly and doo wop sprinkled in. After a few beers and perhaps a couple of margaritas (well, it was Cinco de Mayo), he played a Madonna record and followed it up with “Mona” by The Iguanas!!! That was wild, to say the least.

Phast Phreddie the Boogaloo Omnibus had his own little salute to Cinco de Mayo: He played three records in a row by East Los Angeles Chicano artists. These three rare recordings have been recently re-released in the form of a 10-disc set of seven-inch singles in a box by our friends at Vampi Soul in Spain (for which The Boog wrote the liner notes). Only 500 of these collections were manufactured, so if one is interested in obtaining this fabulous collection (entitled Takin’ Care of Business: Soul R&B and garage from the Rampart, Faro, Gordo and Linda labels 1963 – 1971) one should act soon. Locally, the good people at Earwax Records in Williamsburg may still have it available. Tell them you heard about it in the Boogaloo Bag.

It was great to see so many of our friends come out and hang with us, too. Ace DJs Drew Redmond and Josh Styles, as well as Bootleg Bar owner Bobby Rich all came by to get their photo snapped with Mr. Kaye.


Bootleg owner Bobby Rich, birthday girl Lauren Krohn and Mr. Lenny Kaye swing at the Wham-O Watusi.


Lenny Kaye and Drew Redmond point out another great record at the Wham-O Watusi.


Lenny Kaye and Josh Styles goof at the Wham-O Watusi.

Another thing made this WHAM-O WATUSI more special than usual: our friend and ace photographer Lauren Krohn celebrated her birthday. All night her friends dropped by to wish her well. Boogaloo Bag photographer and baker Miss Nancy “Jeannie” Gardner baked some very delicious vegan cupcakes with creamy chocolate frosting for the occasion, along with her signature cinnamon-infused brownies. It was a chocolate overload kind of night.


Miss Nancy “Jeannie” Gardner and Lauren Krohn pose with yummy treats at the Wham-O Watusi.

Toward the end of the night, Mr. Kaye ran out of records and sat to chat with the birthday girl for a spell. Luckily, our friend DJ Rata showed up with the Wig Doctor. They had come from some other party where they were DJing mambo records. As the Wig Doctor sat in the corner and made out with a lovely young lady, DJ Rata joined the Phast Man in the DJ booth to add a Latin tinge that spiced up this most perfect evening.


Phast Phreddie the Boogaloo Omnibus gets a little help from DJ Rata at the Wham-O Watusi.

Here’s a list of all the records played by Phast Phreddie the Boogaloo Omnibus at the WHAM-O WATUS:

None of these records are for sale. Many of them have links to the Youtubes for your home listening pleasure.


Happy Hour at the Jupe!

On April 21, Phast Phreddie the Boogaloo Omnibus was asked to swing the Happy Hour session (6 to 10 PM) at the Jupiter Disco. The Boog did so by playing an eclectic selection of funk, soul, reggae, Mod jazz, Latin soul and groovy pop records–but mostly funk–for the four hours allotted to him. He kept a solid groove happening and several folks in attendance approached the DJ booth in order to announce their pleasure with the selected tunes. The evening went very well, especially when our pal Nogood Nick showed up with some of this friends.

Nogood Nick swings with Phast Phreddie the Boogaloo Omnibus at the Jupiter Disco.

The evening was made ever so tasty with the addition of the caramel thumb-print cookies baked by Boogaloo Bag photographer Nancy “Jeannie” Gardner.

Nancy “Jeannie” Gardner’s famous caramel thumb print cookies!

At exactly 10PM, The Boog turned the controls of the Jupiter Disco’s audio system over to DJ Mikey Perez, who followed The Boog’s program with a hot zouk number, then proceeded to spin platters deep into the night.

The Boog and Miss Nancy gathered their things–records, uneaten cookies–and obtained some quick nourishment in the form of tacos at nearby Los Hermanos Tortilleria, then headed into Manhattan, where our friend DJ Rata was holding forth with his Mambo Jambo night at Otto’s Shrunken Head. Guest DJ with him was DJ Alr!ght, who was visiting from Cleveland.

Phast Phreddie the Boogaloo Omnibus checks out one of DJ Alr!ght’s hot platters.

The Boogaloo Bag writers first met DJ Alr!ght at the Keystone State Soul Weekender a couple of years ago. He’s a cool guy with hot records and he played some boss sounds that night, as did Rata. Miss Nancy made sure to distribute cookies to the folks at Otto’s before heading home. DJ Alr!ght was due later that night to spin records at Ceremony with Drew Redmond and cookies were sent with him in order for Mr. Redmond to get his share.

Here’s a list of all the records played by Phast Phreddie the Boogaloo Omnibus at Happy Hour at the Jupe:

None of these records are for sale. Some of them have links to youtubes clips so you can dig them in the privacy of your own head!

DJ Rata gave this groovy Batman 45 adapter to Phast Phreddie the Boogaloo Omnibus!! Thank you Señor Rata!


Phast Phreddie the Boogaloo Omnibus and Moptop Mike swing at the WHAM-O WATUSI.

On April 7, WHAM-O WATUSI took place on its regularly scheduled date–first Saturday of the month–at its regularly scheduled location–the Bootleg Bar in Downtown Bushwick–with its regularly scheduled host DJ–Phast Phreddie the Boogaloo Omnibus. One thing was special and that was the guest DJ, Moptop Mike.

If ever there was an authority on garage rock records, Moptop Mike is it. In fact he wrote the book on the subject; a great book, too. Teenbeat Mayhem! is not only a story of the music, but a pretty darn complete discography, as well. At about 400 pages, it is jam-packed with all sorts of information that one would require in order to build his or her own collection of rockin’ garage rock records. It is a book that is referenced several times a week by the Boogaloo Bag writers. Dig a review of it that appeared on the blog of the ARChive of Contemporary Music. You can get your own copy through the Ugly Things website (now at a blow-out price, too!).

(Actually, he wrote two books on the subject, the second being Beyond Teenbeat Mayhem!, an updated, limited edition (now sold out!) supplement that corrects some errors in the first and adds much more information. This guy is committed to getting things right.)

Moptop Mike and his pal Fast Eddy swing at the WHAM-O WATUSI!

This marked Moptop Mike’s first DJ appearance in the New York City area for around ten years. He used to be a guest DJ fairly regularly at the Subway Soul Club when it was at Rififi, and at Smashed!Blocked!, the legendary Mod Freakout hosted by Josh Styles and Peppermint Twist at the Beauty Bar. Obviously, if he spins at those two hallowed events, he has good soul records and good garage rock records. During one of his sets, Moptop noted how happy he was to spin both soul and garage rock records on the same night. Often he is asked to spin one or the other. At the WHAM-O WATUSI, all things reet are hep, thus there is more freedom to really swing for all the guest DJs.

Here are some of the records Moptop Mike played:

Host Phast Phreddie the Boogaloo Omnibus is well aware of Moptop’s keen sense of boss records, so he did not even try to compete with him. Instead, he played his usual fare of far out stuff. However, he did throw in a few modern records that had a Teenbeat vibe. Among them was a single by Kid Congo & the Pink Monkey Birds called Bruce Juice that Moptop Mike was still talking about a few days later.

Phast Phreddie the Boogaloo Omnibus and Moptop Mike goof at WHAM-O WATUSI!

Something else was special, too: Miss Nancy “Jeannie” Gardner, the official photographer for the Boogaloo Bag and official baker for Wang Dang Doodle events, cooked up some of her famous maple fudge, some vegan brownies and, at Moptop Mike’s request, some cherry squares. Man, there were plenty of treats to go around and the place was boppin’ on a sugar rush all night. The Boogaloo Bag writers were happy to see so many of their friends drop by and partake of the edibles and dig the music.

Nancy “Jeannie” Gardner is seen here with her yummy treats!

Here’s a list of all the records played by Phast Phreddie the Boogaloo Omnibus at the WHAM-O WATUSI held on April 7 at the Bootleg Bar:

None of these records are for sale. Some of the above listed tracks have links to youtubes clips so you may dig for yourself.

Phast Phreddie the Boogaloo Omnibus gets visited by his pal Mr. Vacation at the WHAM-O WATUSI!


Rocket Number Nine Takes Off for the Planet Soul Clap!

On Wednesday night March 14, Phast Phreddie the Boogaloo Omnibus got the call from Mister Jonathan Toubin–one of the world’s premier diggers of reet music. Can The Boog swing a few sets that Saturday (the 17th) for his sensational Soul Clap and Dance Off? However, this would not be just any Soul Clap and Dance Off; this one will feature James Chance & the Contortions and The Sun Ra Arkestra. This would be one night of hot music!

The reply: ¡No Problemo!

So, in two days, The Boog was able to assemble three very different sets of groovy music in order to perform the task at hand.

As you may remember from earlier Boogaloo Bag entries regarding Jonathan Toubin, he runs an enterprise known as the New York Night Train. It produces fabulous reet music spectacles–mostly the Soul Clap and Dance Off, but other events as well–that take place regularly in New York City, and semi-regularly around the country. Starting in January, his Soul Claps in New York have been happening at Elsewhere, a huge venue on the far reaches of East Williamsburg. The venue has a big concert room that could hold probably about 1,000 people, maybe more. It also has several smaller rooms where folks can hang out and buy drinks. One of the smaller rooms is called Zone One, and it has a small stage and plenty of room for dancing.

Phast Phreddie the Boogaloo Omnibus swings at the Soul Clap!

The Boog’s first set took place in the large hall, as a warm-up for James Chance. For this, he played some very funky things, as one can see by the set list below:

Although Mr. Chance is not as svelte as he once was, he is still a pretty compelling performer. He played his alto saxophone and sang and screamed and bopped around the stage as his band–guitar, bass, drums, trumpet–backed him with taut, angular rhythms that were perfect for his brand of funk. The room was pretty full when Mr. Chance was on stage and all the folks were into it. His version of the Gil Scott-Heron song “Home Is Where the Hatred Is” was very cool and he encored with a James Brown number.

James Chance and the Contortions swing at the Soul Clap!

After his set, Phast Phreddie the Boogaloo Omnibus played these records:

As the hep Boogaloo Bag Reader knows, the great futuristic jazz orchestra leader Sun Ra passed from this existence to another in 1993. With Sun Ra no longer physically able to lead the band, leadership of The Arkestra passed first to saxophonist John Gilmore, who died in 1995, then to Marshall Allen, another saxophonist who had worked with Sun Ra off and on–mostly on–since the late Fifties; so you know he has a good idea how to keep the Sun Ra brand of highly visionary and magnificent yet entirely enjoyable music alive.

And alive it is! The Sun Ra Arkestra, under the direction of Marshall Allen was incredible on this night–surpassed only by the first time the Boogaloo Bag writers witnessed the Sun Ra Arkestra in action in the spring of 1981 at Myron’s Ballroom in Downtown Los Angeles. To try and describe this performance would be futile, as there are no words in the English language that are accurate. Suffice it to say, the Arkestra consisted of about 20 musicians, including a woman singer, a full horn section and two violin players, all dressed in glittery costumes that seemed to harken to ancient Egypt yet were modernistic and of a space-age design. Although the band may appear to adhere to certain big band traditions leftover from the swing era, only a complete idiot would confuse this act with Guy Lombardo and his Royal Canadian Orchestra. The show was as modern as it can get and included excellent chanting, hot solos from many of the members–especially from the 93-year-old Mr. Allen–band members marching through the crowd and psychedelic images projected behind the band. It was marvelous.

After the Sun Ra Arkestra played, Phast Phreddie moved his activities to Zone One, where our pal Kid Congo was setting up the turntables for a dance event that would feature Mr. Congo, James Chance (his debut as a DJ) and the Phast Man. This was a sort of sideshow to the main event, the Soul Clap, in the large room. There was some confusion at first, as it took awhile for the sound technician to get the equipment to work properly, and more when it was pointed out that Mr. Chance was only prepared to work with compact discs. Once things got sorted, and a CD player was hooked up, Mr. Congo played some hot records that got those in the small room excited enough to bop around the dance floor. There was a full room and it looked as if it would turn out to be a fun night.

James Chance and his trumpet player swing along to the songs Mr. Chance played in Zone One!

After a while, Mr. Congo turned the show over to James Chance. He opened his set with the Ramsey Lewis version of “Wade in the Water,” during which Mr. Chance and his trumpet player proceeded to play their instruments along with the song. At first it seemed kind of cool and rather novel. The trumpet player, and sometimes Mr. Chance on his alto saxophone, then proceeded to play along with many of the tracks he aired. The songs he played were pretty cool, actually, but they were mid-tempo soul records that did not go over well on the dance floor. The punters were not taking to this at all and eventually they left the room. After about six or seven songs, Mr. Congo directed Mr. Chance play two more. His final selection (played after almost a minute of dead air!) was a pop standard sung by a male vocalist that sent the last four dancers out of the room. He and Mr. Congo then exited the Zone One room to join Jonathan Toubin for some sort of performance during the Soul Clap and Dance Off.

James Chance is instructed in the high art of playing records to a room full of dancers by Kid Congo!

Phast Phreddie the Boogaloo Omnibus swings for the kids in Zone One.

At this point, Phast Phreddie the Boogaloo Omnibus took the reins. His job: get those folks back! Not easy, with such hot action as the Soul Clap going on in the big room, but it was hoped that perhaps a few folks may be overwhelmed by the crowd in the large hall and seek more intimate dancing space in Zone One. The Boog played some of the hottest records in his Vintage Astro Sounds a’ Go-Go arsenal. Dig:

Folks eventually returned to Zone One to bop around. Half way through the set, the place had filled up nicely. By the time The Boog played his last record, the room was jumping again. Then Kid Congo returned to work Zone One and he was able to finish the night with an excellent room full of dancing bodies. The Boog and the Boogaloo Bag photographer Miss Nancy “Jeannie” Gardner visited the big room to dance around a bit to Mr. Toubin’s fabulous Soul Clap sounds before heading home.

Jonathan Toubin swings at the Soul Clap and Dance Off!

None of the records listed above are for sale. Some of them have links to the youtubes clips–click on them and experience some of The Boog’s portion of the sensational Soul Clap! (Note that all of the record played by The Boog were 7″ singles; some of the clips have the LP version, which may be the only version on the youtubes.)

Mr. Jonathan Toubin prepares for the Soul Clap and Dance Off in the Green Room.

Jonathan Toubin swings at the Soul Clap and Dance Off!

Kid Congo unlaxes before a night of swingin’ at the Soul Clap and Dance Off!

WHAM-O goes Bossa!

Greg Caz and Phast Phreddie the Boogaloo Omnibus swing at the WHAM-O WATUSI!

The WHAM-O WATUSI is known internationally as an evening of boss DJs spinning 7” 45 RPM records imbedded with the reetest of sounds. On Saturday, March 3, it was a completely different WHAM at the Bootleg Bar. Guest DJ was Greg Caz. He played 99% LPs that spin at 33 1/3 RPM. In any other instance, this would be considered heresy of the highest order. However, Greg Caz is Greg Caz–a cat who was born in New York City and has been DJing his entire adult life, and quite possibly much of his adolescence, too.

First off, Greg Caz is internationally recognized as the King of Brazilian Records. He has had some legendary DJ nights of folks jumping around as he plays hot records from that Portuguese-speaking South American country. Indeed, Mr. Caz often goes down there to buy records and he is a popular DJ there, too. New Yorkers can hear him turn his records just about every Wednesday night at Nublu in the East Village. Greg also does time at the Brooklyn Bowl, Studio 151, Our Wicked Lady and other fine establishments in town.

But that’s not all; Mr. Caz is an all-around DJ. At the WHAM, he played some cool Brazilian beats, that’s for sure, but he also played a bunch of other boss tracks. He’s the kind of guy who can dig out an album and find the one cool track on it to play; like a Duke Ellington record with a funky drum break or a version of “A Night in Tunisia” that sounds as if it were recorded in outer space! He played some rock things, some funk things, some reggae things; and it was executed with excellence and beauty that only Greg Caz can supply.

How does a mere mortal DJ keep up with Mr. Caz? WHAM-O WATUSI host Phast Phreddie the Boogaloo Omnibus played a bunch of rhythmic things: reggae, Afro-groove, hard funk, along with the usual surf and soul records he spins at every WHAM. He played a full half-hour set with no lyric sung in English. He played all six of the Brazilian records he owns. He played records from Jamaica and Colombia. He played two of the bossest records ever made by Perez Prado. Hopefully, that will suffice.

Vegan brownies and pecan tassies baked by Miss Nancy!

Once again, the WHAM-O WATUSI was graced with some delicious sweet things baked by Nancy Gardner: pecan tassies and vegan brownies! Man that was good. Just ask Greg Caz, who ate a bunch of them and even took some home to treat the family.

Here’s a list of all the records played by Phast Phreddie the Boogaloo Omnibus:

None of these records are for sale. Some of them have links to the youtubes in order for the reader to dig.