
Newburgh Illuminated is a street festival celebrating the city of Newburgh, New York. It is called “Illuminated” because, in the spring of 1884, Thomas Edison chose Newburgh as the place to host the second ever power plant in the world; one that lit up a couple of streets. The festival started a few years ago, but then was on hold during the pandemic. On June 4th it came back in fine style, centered at the cross roads of Broadway and Liberty Street. It just so happens that upon one of those four corners sits Mama Roux—the groovy New Orleans-style eatery/drinkery where DJ Pete Pop’s Funky Brunch takes place. Thus, the Mama management decided to add to the celebration with their own party on that very day, with music supplied by DJ Pete Pop, aided and abetted by Phast Phreddie the Boogaloo Omnibus.

The festival was as fabulous as any street party we have seen on either coast, with street vendors, local food, arts, crafts, and all sorts of carrying on. Also, there were stages where musicians performed. The Boogaloo Bag writers were able to check out some of the scene, but not nearly enough of it as it was quite spread out—up and down Broadway—almost to the Hudson River—and way down Liberty Street. Folks must have come from all over the Hudson Valley to celebrate the fabulousness of Newburgh!

On the last Sunday of the month, Mama Roux hosts a drag brunch. No, souped-up cars don’t race down Broadway; rather, drag queens present an exciting show. So Mama’s management invited some drag queens to entertain the street festival people. They set up on the sidewalk in front of Mama Roux and did their thing—which consisted of singing and/or lip-syncing (mostly lip-syncing) to contemporary pop songs and dancing around. Oh, and let’s not forget the outrageous outfits they wore! Every time they performed—and they must have done six or seven shows—they had captivated audiences of folks unable to believe what they were seeing. Man, it looked as if those drag queens were having loads of fun!

Also, Mama Roux set up a stand on its front porch and sold food. Good food. The Boogaloo Bag writers partook in the fried chicken, which was most excellent.
DJ Pete Pop and Phast Phreddie the Boogaloo Omnibus set up in the backyard and decided to play several records that may be a little less obscure than their usual fare—with an emphasis on the more swingin’ soul sides from the early seventies. This seemed to work, as it enticed many folks to pass through the backyard gate into the bop yard to dig the scene—and to cop a frothy beverage or eat the fine food Mama’s was layin’ down. The two DJs traded sets at the decks from about 11 AM to about 10 PM. More than a hundred records were played by Phast Phreddie the Boogaloo Omnibus, and here they are:

- Norman Seldin and His Naturals–One Mint Julep (Selsom)
- The Counts—Chitlins, Etc. (Panorama)
- Soul Toranodoes–Funky Thang (Burt)
- The Meters–Chug Chug Chug-A-Lug (Push n’ Shove) Part I (Reprise)
- Tyrone Davis–Turn Back the Hands of Time (Dakar)
- Laurel Aitken–Save the Last Dance (Nu Beat; UK)
- Jimmy Caravan and His Trio–Higher and Higher (Tower)
- Jr. Walker & the All Stars–How Sweet It Is (To Be Loved by You) (Soul)
- The Viscounts–Night Train (Amy)
- The Revlons–Ya Ya (Parkway)
- Jean King–The In-Crowd (HBR)
- Etta James–Security (Cadet)
- Augustus Pablo–Jughead (Tiger; Jamaica)
- Curtis Mayfield–Get Down (Curtom)
- The Undisputed Truth–Smiling Faces Sometimes (Gordy)
- Donny Hathaway–The Ghetto – Part 1 (Atco)
- Aretha Franklin–Pullin’ (Atlantic)
- The Soul Machine–Bag of Goodies (Pzazz)
- Ohio Players–Funky Worm (Westbound)
- Don Covay–(Back to the Roots) Part I (U-Von)
- Syd Jones & the Troubadours–Cardova (Doctor Bird; UK)
- Shuggie Otis–Hurricane (Epic)
- Hugh Masekela–Grazing in the Grass (Uni)
- Gladys Knight & the Pips–The End of Our Road (Soul)
- The Honey Cone–Want Ads (Hot Wax)
- The Intruders–Up the Down Ladder (Gamble)
- Benny Poole–Pearl Baby Pearl (Latin Boo-Ga-Loo) (Solid Hit)
- Stevie Wonder–You Haven’t Done Nothin’ (Tamla)
- Billy Paul–Am I Black Enough for You (Philadelphia International)
- Isley Brothers–Live It Up Part 1 (T-Neck)
- Marvin Gaye–You’re the Man (Part 1) (Tamla)
- The Isley Brothers–Pop That Thang (T-Neck)
- Booker T. and the MG’s–Green Onions (Stax)
- The Shirelles–Boys (Scepter)
- Dave Bartholomew–Yeah Yeah (Imperial)
- Sunny and the Sunliners–Trick Bag (Tear Drop)
- Isaac Hayes–Theme From Shaft (Enterprise)

- Little Beaver–Party Down – Part 1 (Cat)
- James Brown–Ain’t It Funky Now (Part 1) (King)
- Bill Moss–Sock It To ‘Em Soul Brother (Bell)
- The Three Degrees–You’re the One (Roulette)
- The Chi-Lites–Stoned Out of My Mind (Brunswick)
- The Impressions–Check Out Your Mind (Curtom)
- Dramatics–Whatcha See Is Whatcha Get (Volt)
- The Temptations–Ball of Confusion (That’s What the World Is Today) (Gordy)
- O’Jays–For the Love of Money (Philadelphia International)
- Ernest Van Treose and the McDaniel Mary Street Band–Popcorn Push Push (RCA)
- Bill Doggett–Honky Tonk Popcorn (King)
- The Meters–Cissy Strut (Josie)
- Kool & the Gang–Hollywood Swinging (De-Lite)
- Clarence Reid–Nobody But You Babe (Alston)
- The Meters–Africa (Reprise)
- Tribe–Funky Kingston (Grenade)
- Toots–Hard to Handle (Mango; UK)
- The Joe Cuba Sextet–Oye Como Va (Aprietalo) (Tico)
- Johnny Zamot–Boogaloo Baby (Decca)
- Carmen Rivero y Su Conjunto–Pata Pata (Discos Columbia)
- Ninapinta and His Bongos and Congas–(I Can’t Get No) Satisfaction (Decca)
- Tony Mottola–Tequila (Project 3)
- Groundhog–Take It Off (Jad)
- Ohio Players–Skin Tight (Mercury)
- Boogaloo Assassins–No No No (Sicario)
- Willie Baby–Hot Buns – Part 1 (Ding Dong)
- Ray Barretto–Soul Drummers (Fania)
- Bo Dollis & the Wild Magnolia Mardi Gras Indian Band–Handa Wanda Pt. I (Crescent City)
- The Motowns–Sagamafina (RCA Italiana; Italy)
- Ken Lazarus & the Crew–Monkey Man (London American/Reggae Series; UK)
- The Slickers–Johnny Too Bad (Dynamic; UK)
- Lloyd Parks–Kung Fu Fighting (Mart’s)
- Earnest Jackson–Love and Happiness (Stone)

- Sly & the Family Stone–If You Want Me to Stay (Epic)
- Ben E. King–Supernatural Thing – Part I (Atlantic)
- Staple Singers–I’ll Take You There (Stax)
- Spinners–I’ll Be Around (Atlantic)
- Gil Scott-Heron–The Bottle (Strata-East; France)
- Bill Withers–Use Me (Sussex)
- Booker T. & the M.G.’s–Time Is Tight (Stax)
- Dave and Ansil Collins–Double Barrel (Big Tree)
- Maytals–Fever (Dragon)
- Betty Harris–There’s a Break in the Road (SSS International)
- Sons of Slum–The Push and Pull (Gamma)
- Linda Lyndell–What a Man (Volt)
- Curtis Mayfield–(Don’t Worry) If There’s A Hell Below We’re All Going to Go (Curtom)
- The 8th Day–You’ve Got to Crawl (Before You Walk) (Invictus)
- The Marvelettes–Keep Off, No Trespassing (Tamla)
- The Trammps–Hold Back the Night (Buddah)
- Four Tops–You Keep Running Away (Motown)
- Young-Holt Unlimited–Soulful Strut (Brunswick)
- Bob and Earl–Harlem Shuffle (Marc)
- The Supremes–My World Is Empty Without You (Motown)
- Cliff Nobles & Co.–The Horse (Phil-L.A. of Soul)
- Oscar Weathers–I’m Your Good Thing (Top and Bottom)
- Freddie Watson and the Restorators–The Unlucky Seven (Eloys)
- Maurice and Mac–Kick My Cat I’ll Beat Your Dog (Checker)
- Maxine Brown–Treat Me Like A Lady (Avco)
- Con-Funk-Shun–Mr. Tambourine Man (Fretone)
- The Vibrations–Expressway to Your Heart (Neptune)
- Joe Simon–Get Down Get Down (Get on the Floor) (Spring)
- The Staple Singers–Respect Yourself (Stax)
- The Delfonics–Ready or Not Here I Come (Can’t Hide From Love) (Philly Groove)
- The Spinners–It’s a Shame (V.I.P.)
- The Velvelettes–He Was Really Sayin’ Somethin’ (V.I.P.)
- Wilson Pickett–Don’t Knock My Love – Pt. I (Atlantic)
- The Fantastic Johnny C–Boogaloo Down Broadway (Phil-L.A. of Soul)
- Joe Cuba Sextet–Hey Joe, Hey Joe (Hey Girl Hey Girl) (Tico)
- Willie Rosario and His Orchestra–Watusi Boogaloo (Atco)
- Owen Gray–Groove Me (Camel; UK)
- The Wailers–Get Up Stand Up (Island)
- The Temptations–Papa Was a Rollin’ Stone (Gordy)
- The O’Jays–992 Arguments (Philadelphia International)
- The Isley Brothers–Work to Do (T-Neck)
- Funkadelic–One Nation Under a Groove – Part I (Warner Bros.)
- Philip & Lloyd (The Blues Busters)–Here I Am Come and Take Me (Scepter)
- Pee Wee Ellis–That Thing (Sound Stage 7)
- Bobby Williams and his Mar Kings–It’s a Dilly (Duplex)
- William DeVaughn–Be Thankful for What You Got (Roxbury)
None of these records are for sale. Too many to add sound links, so only obscure records are linked.

