Shivering at the Shim Sham Shimmy!

The first Shim Sham Shimmy of the year was held on January 3, as always, at the great, stoned building called The Salt Box in Kingston, NY. It was cold outside—REALLY cold! However, DJs Pete Pop and Phast Phreddie the Boogaloo Omnibus brought the heat in the form of some wild and rockin’ 45 RPM records. Pete Pop was so excited about the Shimmy that he made two posters for it (see below.)

Since the event was so close to New Year’s Eve not much was expected, but folks came out—lots of folks came out—to dig the boss sounds that the DJs were puttin’ down. Miss Nancy baked some Spanish cinnamon cookies, pumpkin bread and chex mix. Needing something a little more substantive, Phast Phreddie ordered some French fries from the adjacent food truck. That was good.

Here’s a list of all the records played by Phast Phreddie the Boogaloo Omnibus at the January Shim Sham Shimmy:

None of these records are for sale!

GO Mechanism Number 28

This is The GO Mechanism, an audio Odyssey scientifically engineered and programed in the secret laboratory of Boogaloo Omnibus Productions by Phast Phreddie. It incorporates ultra-phonic techniques and transcendental procedures that other programmers have not yet discovered. The G stands for GROOVE, and each GO has the absolute maximum GROOVE that is allowed by the law. The O stands for O’ROONY, an intricate and complex attitude that is incomprehensible to those who possess standard-issue precepts. Listen and you will hear.

The GO Mechanism is first aired on the Luxuria Music web streaming hustle as a Saturday Night Special; this one on December 27, 2025. It will then be available as a podcast on the Luxuria Music web site for a few weeks, before we post it on the Mixclouds. It is imperative that this blog is consulted when the listener is digging The GO in order to achieve complete comprehension of the program. We won’t be stopping to tell you what we’ve just listened to, so here you will find a complete track list of the songs played plus information regarding some of them.

It has been more than nine months since the last GO Mechanism, so in order to expedite the process, The Science Corner has been temporarily suspended. (The assembly of the Science Corner, as featured in previous GO Mechanisms, is time consuming, requiring extra attention and O’Rooney.)

Here’s the complete track listing and notes in a spanking new format for this program:

  • Earl Bostic—Lester Leaps in (King)
  • Quincy Jones and his Orchestra—Boogie Bossa Nova (Boogie Stop Shuffle) (Mercury)
  • ———This is the first of the three ‘shuffle’ songs that open the GO. Quincy Jones’ albums on Mercury range from fabulous to interesting but the great thing is that he got the best jazz musicians available to play on them. For example, on this recording he had Clark Terry and Paul Gonsalves—two cats who worked with Duke Ellington. Plus, Quincy got away with covering this fabulous composition by Charles Mingus. On Jones’ album Big Band Bossa Nova it was called “Boogie Bossa Nova,” but it is really “Boogie Stop Shuffle” from Mingus Ah Um. Others in the orchestra include bassist Chris White, drummer Rudy Collins and pianist Lalo Schifrin—all three were in Dizzy Gillespie’s quintet at the time. In fact, the drummer and bass player also play on the Dizzy track later in our program.
  • Big Jay McNeeley—Big Jay Shuffle (Federal)
  • Billy Larkin & the Delegates—Harlem Shuffle (Aura)
  • Nuggets Mega Mix featuring The Electric Prunes, The Blues Magoos, The Amboy Dukes and The Chocolate Watchband
  • ———The above is an exclusive, super-deluxe mega mix developed in the Boogaloo Omnibus Laboratory specifically for this GO Mechanism. Psyche-out, people!
  • Melba Moore—The Magic Touch (Kent; UK)
  • ———This track may have been an unreleased demonstration recording made by a music publishing company in order to hustle the song. One artist it was pitched to was the Bobby Fuller Four, who did a great version of it. This record was originally pressed as a give-away for a sixties dance night in England. It was subsequently bootlegged, then later issued legally by England’s Kent Records for the Northern Soul market. Melba Moore started her career as a demo singer before she achieved stardom with her R&B and disco records during the seventies and eighties.
Jon Huck
  • The Fur Ones—El Cacahuate (The Fur Ones)
  • ———We don’t remember where we found this track, but The Fur Ones was led by the artist Jon Huck, who painted this episode’s graphic. Huck was once the bass player for the wild punk rock band Thelonious Monster and even sat in as a substitute bassist for a Phast ’n’ Bulbous gig (if you know where that’s at!). He’s still in Los Angeles where he concentrates on his art and has displayed it in galleries and exhibitions. Dig his paintings at the Jon Huck Art website.
  • Emil Richards—Opal (October) (from LP Psychedelic Percussion)
  • [spoken] Gary Watson—Song of the Dying Gunner (from LP Will It Be So Again? Argo; UK)
  • Carlos Campos—Caravana (Musart; Mexico)
  • ———Every GO Mechanism contains a version of “Caravan,” the excellent composition by Duke Ellington and Juan Tizol. GO 28 is no exception. Carlos Campos was a Mexican band leader whose career lasted from the fifties to the seventies. His music consisted of danzons, pachangas, cha-chas, Afro-Cuban jazz, mambos and all sorts of exotic stuff. His version of “Caravan” is great.
  • Marvin Holmes & the Uptights—Ooh Ooh the Dragon (Uni)
  • Art Blakey & the Jazz Messengers—Weird-O (from album The Jazz Messengers; Columbia/Legacy)
  • [spoken] Dylan Thomas—Dawn Raid (from album The Caedmon Collection)
  • The Supersonics—Straight to Jazz Soul Head (Peckings)
  • ———Upon listening to this track it is pretty obvious that it is a dub version of “The World Is a Ghetto.” The reggae version that this recording was derived from is by The Paragons, a top notch Jamaican vocal group. The Supersonics were a studio backing band that was very prolific, having worked with such artists as Alton Ellis, Hopeton Lewis, Justin Hinds, The Heptones, and many more.
  • The Funk Brothers—Pride and Joy (edit) (from album Standing in the Shadows of Motown; Motown)
  • James Booker—Smacksie (Peacock)
  • ———James Booker was a classically trained musician who was a legend in New Orleans. He was black, homosexual, addicted to heroin, walked with a limp, was a flashy dresser and had only one eye. In spite of all that—maybe because of all that—he was quite possibly one of the greatest keyboard players of our time. “Smacksie” comes to us from 1961.
  • The Jaguars—The Beat (Impression; UK)
  • ———The parents of a sixteen-year-old guitarist from Worcester, England financed this record, of which only a thousand were pressed by a local record company. The guitarist would eventually make a pretty good name for himself several years later when he formed a group called Traffic and wrote a song called “Feelin’ Alright.” Yeah, the sixteen-year-old kid was Dave Mason.
  • Los Mirlos—La Danza de Los Mirlos (Cumbia de los Pajaritos) (Infopesa; Peru)
  • Bobby Byrd—Fight Against Drug Abuse (King)
  • Mahlathini—Ngizothi Mamakubani (from album King of the Groaners; Earthworks)
  • Jimi Hendrix—Third Stone From the Sun [excerpt] (from LP Are You Experienced? Reprise)
  • Dick Dale—Third Stone From the Sun [excerpt] (from album Guitar Legend: The Very Best of Dick Dale; Shout Factory)
  • The Fleshtones—Screaming Skull (from LP Hexbreaker; I.R.S.)
  • Ravi Shankar—Bhimpalasi (from album The Sounds of India; Columbia)
  • Charanjit Singh—Hey Mujhe Dil De (from LP Instrumental Film Tunes; Odeon; India)
  • Booker T & the M.G.’s—Melting Pot—(from LP Melting Pot; Stax)
  • [spoken] Charlie Chaplin—speech from The Great Dictator
  • Los Lobos—El Canelo (Son Jarocho) (from album Los Lobos Del Este de Los Angeles)
  • Laika & the Cosmonauts—Beat Girl (from album C’mon Do the Laika; Amigo; Finland)
  • Eddie & the Hot Rod—Do Anything You Wanna Do [exclusive Boogaloo Omnibus edit] (Island; UK)
  • The Dyna-Tones—Skunk Part 1 (Alto)
  • Rolling Stones—Commit a Crime (from album Blue and Lonesome; Rolling Stones)
  • Stanley Turrentine—Niger Mambo (from album In Memory Of; Blue Note)
  • Jesse Fortune—Too Many Cooks (U.S.A)
  • The Happenings Four—Boogaloo Boogaloo (Capitol; Japan)
  • Donnie Elbert—Along Came Pride (CBS; UK)
  • ———Donnie Elbert is an excellent example of a journeyman Rhythm & Blues singer. He cut some smooth R&B ballads with his falsetto voice in the late fifties that did fairly well, especially “What Can I Do” and “Have I Sinned” (both lowrider standards), plus a few jump numbers for DeLuxe Records. Then, in the sixties he released about a dozen singles on nearly that many labels. He lived in England from 1966 to 1969 and recorded there, including a cool rocksteady number called “Baby Please Come Home.” After returning to the States, he hooked up with All Platinum Records where he had the most success; his version of The Supremes’ “Where Did Our Love Go” was his biggest hit, going to Number 6 R&B and Number 15 Pop. Elbert would cut several Motown-related songs, but the first one he recorded was The Temptations’ “Get Ready” in 1967. It was the A-side to the track we hear in GO 28: “Along Came Pride.” This single was never issued in the U.S. Elbert’s experience as an entertainer was not fun for him and by the end of the seventies he was working a record company.
  • Tom Waits—Midtown (from album Rain Dogs; Island)
Herbie Flowers
  • Lou Reed/Emily Dickenson—Walk on Nobody (GO Mechanism exclusive mash-up)
  • ———The classic bass riff from Lou Reed’s “Walk on the Wild Side” (played by Herbie Flowers) makes an exquisite backdrop for Nancy Wickwire’s recitation of the famous Emily Dickinson poem.
  • The Shangri-Las—Right Now and Not Later (Red Bird)
  • ———If this recording sounds like a soul record, well, it kind of is! It was co-produced, arranged and co-written by Robert Bateman, who was employed by Motown Records at that label’s beginning. He helped write “Please, Mr. Postman” for The Marvelettes and it was one of the company’s first major successes. The other producer was Ronald Mosley, who often worked with Bateman in the mid-sixties—including on some of our favorite soul records—and later was one of the founders of Sussex Records. This Shangri-Las song has a definite R&B groove with a tough bass line and prominent tambourine hits and the gals sing it with suitable expressiveness, however, the record only spent two weeks at Number 99 on the Top 100 before it disappeared.
  • Pharoah Sanders—The Creator Has a Master Plan (edit) (Impulse)
  • Red Crayola—Hurricane Fighter Plane (International Artists)
  • Dizzy Gillespie—Theme From The Cool World (from album The Cool World – soundtrack; Philips)
  • ***Alec Guinness reads “When the Faces Called Flowers Float Out of the Ground” by e.e. cummings
  • [spoken] Alec Guinness was a British Shakespearean actor who had a long, successful career on screen and on stage. He starred in a lot of really good movies, starting in the late forties, and received several awards for his acting abilities. However, these days he is best know for his portrayal of Obi-Wan Kenobi in the Star Wars trilogy. Somehow, he found the time to make several spoken word albums and we found one. Here he recites an interesting poem by e.e. cummings, one of America’s most important poets. “When the Faces…” is a sort of surrealistic look at the coming of spring.
  • Big Mama Thornton—Wade in the Water (Arhoolie)
  • Curtis Mayfield—Freddie’s Dead (GO edit) (Curtom)
  • Lou Reed—Metal Machine Music * The Amine ß Ring (an electronic instrumental composition) (RCA Victor)
  • ———“As way of disclaimer, I am forced to say that, due to stimulation of various centers (remember OOOHHHMMM, etc.), the possible negative contraindications must be pointed out. A record has to, of all things Anyway, hypertense people, etc. possibility of epilepsy (petite mal), psychic motor disorders, etc., etc., etc. My week beats your year” —Lou Reed from liner notes to Metal Machine Music.

The GO Mechanism originates on the Luxuria Music streaming platform as a Saturday Night Special whenever we get around to producing one. Luxuria Music is a wonderful and unique web-streaming entity that has loads of great shows. We strongly suggest that all Boogaloo Bag readers and GO Mechanism enthusiasts give it as much support as possible. Somehow it exists without commercials or the largess of a deep-pocketed oligarch. We thank the Luxuria Music folks for sponsoring The GO. The GO Mechanism producers ask each of you to support them. They have a lot of cool trash available in their online store. We urge you to get as much money as you can, stuff it into a shoe box and send it to Luxuria Music. Do it today.

If you missed the original airing on Luxuria Music, you can find it as a Luxuria Music podcast for a few weeks, and then it will be mounted in the mixclouds and accessible below.

Do The Holiday Madness!

On December 12, Do The 45 took place as scheduled at Quinn’s—that groovy rock and ramen joint on Main Street in Beacon, NY. Because of its close proximity to Christmas, host DJs Pete Pop and Phast Phreddie the Boogaloo Omnibus invited radio personality Vince Vincent to come play a set of rockin’ holiday records. Man, that was a gas—he even showed up in an appropriate green/red outfit and shook jingle bells. That Mr. Vincent really knows how to entertain a crowd.

Meanwhile, Pop and Phast, wearing Santa hats, played their usual trash. Go-Go dancer Bella Bombora gyrated in an artistic manner and was often joined on the raised dance floor by folks mesmerized by the music. Quinn’s was packed with partyin’ patrons who bopped around to the wild beats.

Most of the holiday records played that night were the ones Mr. Vincent played. However, The Phast Man played a handful—including two from 12” LPs that actually spun at 33 1/3 RPM. What a rebel!! Here’s a list of everything he played:

None of these records are for sale.

Only at the Shim Sham Shimmy!

The Salt Box at night!

On December 6, the Shim Sham Shimmy returned to the Salt Box in Kingston for another spinning of wild and rockin’ rekkids! DJs Pete Pop and Phast Phreddie the Boogaloo Omnibus were on hand to comply.

Mr. Pop and Mr. Phreddie have comfortably settled into the new DJ format of trading five-song sets. Some of the songs seem to be related—very often they are not. In any case, the records were wild and wooly and they kept the Salt Box punters on their feet and swingin’ all night.

At one point, Mr. Pop turned to Phast and asked, “Where else are you going to hear these records? Nobody’s playing them in any other club in the world!!” He is correct, of course. Only at the Shim Sham Shimmy will you be able to dig, dance and drink to such fabulous records.

Here’s a list of all the fabulous records played by Phast Phreddie the Boogaloo Omnibus:

  • The Kingsmen–Dig This (Jalynne)
  • King Krooners; Little Rico–School Daze (Excello)
  • Vic Thomas–Village of Love (Philips)
  • Johnny Copeland–Heebie Jeebies (Paradise)
  • Ray Reid–Move It on Over (M-G-M)
  • The Chitlins–Next Time You See Me (Pala)
  • The Originals–Stick Shift ‘65 (Van)
  • Little Sammy Johns and the Eldorados–Doing the Roach (Lifetime)
  • The Fascinators–Fried Chicken and Macaroni (Capitol)
  • Oliver Morgan–Hold Your Dog (GNP Crescendo)
  • Johnny Ace; Johnny Board’s Orch.–No Money (Duke)
  • Edgar Blanchard and His Band featuring Roy Montrell–Ricki-Ticki-Too (Specialty)
  • The Everly Brothers–Bird Dog (Cadence)
  • Elmore James–Shake Your Money Maker (Enjoy)
  • Ricky Wynn–Shaking Rolling Boogie (Campbell)
  • Vito and the Salutations–I Want You to Be My Baby (Boom)
  • Joe Graves–See Saw (Parkway)
  • Bill & Will–Goin’ to the River (Checker)
  • Eddie Bo–Baby I’m Wise (Apollo)
  • The Marcels–Blue Moon (Colpix)
  • Roy Orbison & Teen Kings–Go Go Go (Sun)
  • Los Teen Tops–Popotitos (Columbia; Mexico)
  • Marvin Paul–None of Your Business (Van)
  • Richie Moreland–Mailman Blues (Imperial)
  • Royale Monarchs featuring Roger Stafford–(Hey) Surfs Up (Dell Star)
  • Marty & the Merits–Hey Let’s Twist (Kenilworth)
  • The Dothans–Bony Maronie Twist (Heart)
  • J. T. Ratliff–Twisting & Shaking (Petal)
  • Damal & Rasheed–Twistin’ in the Tub (Great)
  • Rocket-Tones–Everybody’s Doin’ the Twist (Operators)
  • The Impacs–Your Mama Put the Hurt on Me (King)
  • Billy Watkins–I Wanna Know (Chess)
  • Al Reed–Sorry About That (Axe)
  • Howllin’ Wolf–Howlin’ for My Darling (Chess)
  • Eddie “Blues Man” Kirkland–Train Done Gone (Tru-Sound)
  • The Wailers–Mashi (Imperial)
  • The Crickets–Oh Boy (Brunswick)
  • Pierre Laurendeau–La La La La La (Ideal; Canada)
  • The Trippers–Keep a Knockin’ (Dot)
  • The Golden Nuggets–Surf Everybody (Hawk)
  • Mel ‘n Dee–Monkey Shine (Sandy)
  • Horace Bailey–Cool Monkey (Delene)
  • Freddy Cannon–Everybody Monkey (Swan)
  • The Dovells–Stop Monkeyin’ Aroun’ (Parkway)
  • The Lollipops–Don’t Monkey With Me (RCA Victor)
  • Big Jay McNeely and Band vocal by Little Sonny Warner–Psycho Serenade (Swingin’)
  • Wendy Rene–Bar-B-Q (Stax)
  • Herman Jones & the Kilts featuring Tony La Mar–Mashed Potatoes (Caynote)
  • Isley Brothers–Just One More Time (Atlantic)
  • Bo Diddley–Do the Frog (Checker)
  • Eddie Kirk–The Grunt (Fortune)
  • James Brown and the Famous Flames–That Dood It (Federal)
  • Don Gardner and Band–Dog Eat Dog (Tifton)
  • Jack Harris and the Arabians–Dog Wild (Witch)
  • The Rumblers–Bugged (Dot)
  • Billy Riley and the Little Green Men–Flying Saucers Rock ‘n’ Roll (Sun)
  • Roy Head and the Traits–Teen-Age Letter (Back Beat)
  • Bill Haley and His Comets–Rip It Up (Decca)
  • Big Boy Myles and the Shaw-wees–Who’s Been Fooling You? (Specialty)
  • The Terri-Tones–Go (Cortland)
  • Eddie Bo–Shake Rock and Soul (Cinderella)
  • Huey Smith & the Clowns–He’s Back Again (Constellation)
  • Art Neville–Cha Dooky-Doo (Specialty)
  • Smiley Lewis–She’s Got Me Hook Line & Sinker (Imperial)
  • Roddy Jackson and his Band–Moose on the Loose (Specialty)
  • Dick Dale and the Del-Tones–Mr. Eliminator (Capitol)
  • The Rhythmaires–Hill’s Concerto (Part One) (Surf)
  • The Strangers–Hill Stomp (Titan)
  • The Trashmen–Church Key (Sundazed)
  • Tito Puente–Loco Bossa Nova (Roulette)
  • Les Chats Sauvages–Je Veux Tout Ce Que Tu Veux (Pathé; France)
  • Johnny Hallyday–La Faute au Twist (Philips; France)
  • Eddie Reardon–Who Is Eddy? (Brunswick)
  • Gas Head–You Gonna Miss Me When I’m Gone (Paradise)
  • Alf Newman–It’s A Gas (Golden 12; Germany)

None of these records are for sale.

All Good at Funky Kingston!

Phast Phreddie the Boogaloo Omnibus and Nogood Nick swing at the Funky Kingston!

The last weekend of November was another wild one. On the Friday, which was the day after Thanksgiving, Phast Phreddie the Boogaloo Omnibus filled in at Smash! Crash! Bash! with Pete Pop. The next night he hosted the Funky Kingston—a night of boss funk and reggae—with guest DJ Noogood Nick. All of this action took place at the Salt Box—Kingston, NY’s swingin’est night club.

Nogood Nick in action!

Nogood Nick is a cool cat daddy who we know from the DJ wars in New York City. He was a popular guest DJ at the Subway Soul Club, the Dynagroove, the Wham-O Watusi and several other fabulous DJ nights. Plus, he hosted his own Rip! Rig! Panic! dance party that was such a gas. He also has an occasional show on the WFMU Give the Drummer Radio stream called Electric Lazy Susan. He came all the way up from the Big City and played some fantastic records for the Funky Kingston faithful. He swung with us last year and we had to have him back.

The Funky Kingston takes place on the fifth Saturday of the month—when there is one. The next one is scheduled for January 31, 2026. Mark it in your mind, be clean and make the scene.

Here’s a list of all the records played by Phast Phreddie the Boogaloo Omnibus at the Funky Kingston:

Special guest appearance by Bella Bombora!!!

None of these records are for sale.

Smash! Crash! Bash! Goes Cold Turkey!

On the day after Thanksgiving, our friends Peter Aaron and Sean McDJ were scheduled to work the dog at the Salt Box for their fabulous Smash! Crash! Bash! DJ night—it was the last Friday of the month. However, both of them have parents who are aged and ailing with whom they wanted to spend the Thanksgiving weekend with, so they bowed out of the gig. The Smash! Crash! Bash! needed to go on, so subbing for them was Pete Pop and Phast Phreddie the Boogaloo Omnibus.

Since the Smash! Crash! Bash! regulars are accustomed to digging punk and new wave records —and generally rockin’ records from the seventies and eighties and even newer—at these events, that’s what Mr. Pop and El Rapido brought to the show. In fact, Pete Pop went so far as to play LP tracks from actual 12” long-playing albums—something he never does!!! There are photos to prove it!

Because the Funky Kingston (fifth Saturday of the month, when there is one) was scheduled for the next night, Phast Phreddie brought his DJ gear; thus the presence of the Bat Signal! Once again, Miss Nancy supplied some yummy treats. A whole bunch of our friends showed up and the entire night was a swingin’ success. It was so successful that Mr. Pop and the Phast One were asked to return for the next Smash! Crash! Bash! on the day after Christmas for the same reason! Make that scene, won’t you?

Here’s a list of all the records played by Phast Phreddie the Boogaloo Omnibus at the November Smash! Crash! Bash!:

None of these records are for sale!

The Return of Vanna Vroom!

Bella Bombora and Vanna Vroom swing at Do The 45!!!

On November 14, Do The 45 attendees were in for a special treat: the appearance of Go-Go dancer Vanna Vroom! Or the re-appearance, actually, as Miss Vroom used to dance at all the Do The 45s before the Trump virus closed everything down back in 2020. Back in those days, she lived in close proximation of Beacon—home of Quinn’s, home of Do The 45. She has since moved down south somewhere. So this was a homecoming, of sorts, and a grand one it was. She and the regularly featured Do the 45 Go-Go dancer Bella Bombora made the night a complete joy. The regular Do The 45 DJs, Pete Pop and Phast Phreddie the Boogaloo Omnibus did their solid best at playing great records that kept the Go-Go dancers jumping all night. Several of our friends came out for the special occasion, including Karen the Rock’n’Roll Nurse, Stu Millman of The Greyhounds, and Paula & Amanda of the Paula & Amanda Show.

Here’s a list of all the records played by Phast Phreddie the Boogaloo Omnibus at the November Do The 45 Rock’n’Soul dance party:

  • The Marketts–Theme from The Avengers (Warner Bros.)
  • The Surfmen–The Ghost Hop (Titan)
  • The Jaguars–Scat Car Scat (Duchess)
  • Travis Wammack–Scratchy (ARA)
  • The Ventures–Green Onions (Liberty; France)
  • Dan Penn–Willie and the Hand Jive (M-G-M)
  • Pink Floyd–Arnold Layne (Columbia; UK)
  • Roslyn Kind–The Shape of Things to Come (RCA)
  • The Shirelles–Sha-La-La (Scepter)
  • The Del-mars–Snacky Poo – Part 1 (Mercury)
  • Ronnie Bird–Chante (I Can Only Give You Everything) (Philips; France)
  • Dale Kahr & Christy Boughn–Black Is Black (Foggy Love)
  • The Hour Glass–Heartbeat (Liberty)
  • The Us Four–The Alligator (Rising Sons)
  • The Pin-Ups–Looking For Boys (Stork)
  • Nancy Sinatra–Run For Your Life (Reprise; France)
  • Jacky Moulière–Lam’di Lam’ (Mickey’s Monkey) (Disques Salvador; France)
  • Isley Brothers–This Old Heart of Mine (Is Weak for You) (Tamla/Motown)
  • The Andrew Oldham Orchestra–I Get Around (Parrot)
  • Cliff Richard–Forty Days (Columbia; France)
  • The Sharpees–Do the 45 (One-Derful!)
  • James Brown and the Famous Flames–Night Train (King)
  • The Sonics–The Witch (instrumental) (Klooks Kleek; UK)
  • MC5–Tutti-Frutti (Atlantic; Germany)
  • The Other Half–Mr. Pharmacist (GNP Crescendo)
  • The Atlantics–Bombora (CBS; Netherlands)
  • Prini–Boogaloo (Beverly; Brazil)
  • The Tracers–She Said Yeah (Sully)
  • 006–Like What Me Worry (Red Bird)
  • The Creation–Making Time (Planet)
  • Julian Covey & the Machine–A Little Bit Hurt (Philips)
  • Les Problèmes–Il Suffirait d’ Un Rien (Disques Vogue; France)
  • The Chocolate Watchband–Sweet Young Thing (Uptown)
  • The Dave Clark Five–Concentration Baby (Epic)
  • Debra Swisher–You’re So Good to Me (Boom)
  • Los Rockin’ Devils–Soy Feliz (I Got You) (Orfeon; Mexico)
  • Big Mama Thornton and Her Houndogs–Wade in the Water (Arhoolie)
  • Butlers–She Tried to Kiss Me (All I Could Do Was Run) (Liberty Bell)
  • Ray Anthony–C’mon and Swim (Capitol)
  • Bobby Freeman–The Duck (Autumn)
  • The Sensational Guitars of Dan & Dale–Batman Theme (Tifton)
  • The Baskerville Hounds–Space Rock – Part 2 (Tema)
  • Sandy Nelson–Big Noise From the Jungle (Imperial)
  • The Defiant Ones–Defiant Drums #2 (Real Fine)
  • The Demonstrators–Ultra-Violet (Warner Bros.)
  • The Nick Venet Orchestra–Main Theme From Out of Sight (Decca)
  • Power of Blue–Cool Jerk (MTA)
  • Lee Moses–Day Tripper (Musicor)
  • Truman Thomas–Respect (Veep)
  • The Pageants–She Is Your Girl (Groove)
  • The Surfaris–Psyche-Out (Felsted)
  • Jamo Thomas & His Party Brothers Orchestra–I Spy (For the FBI) (Thomas)
  • Angie Hester–Bump Step (ABC)

None of these records are for sale.

Shim Sham Shocking!

On the Day after Halloween, Phast Phreddie the Boogaloo Omnibus returned to the Salt Box with host DJ Pete Pop for the November Shim Sham Shimmy. This was sort of cultural whiplash. At the Halloween Smash! Crash! Bash! the Phast One played records mostly from the seventies and after. The next night he was playing mostly records from the early sixties and before! Also, due to the Shimmy’s close proximity to the spooky holiday, several monster-oriented songs were included.

Plus, several attendees came in costume—including our friends Eric & Leyla with their nephew.

In all, it was a fun night—as every night at the Salt Box is fun. Hope to see all the Boogaloo Bag readers at the next Shim Sham Shimmy, which is held on the first Saturday of the month.

Here’s a list of records played by Phast Phreddie the Boogaloo Omnibus at the November Shim Sham Shimmy:

  • Dave Hamilton and His Peppers–Cooter Bug (Fortune)
  • Lee Allen and His Band–Boppin’ at the Hop (Ember)
  • The Sherwoods–El Scorpion (Maggie)
  • Stan Freberg with the Toads–Wide-Screen Mama Blues (Capitol)
  • Albert King–I Get Evil (Bobbin)
  • The Wolf Man–Strange (OKeh)
  • Kact-Ties–Mr. Were-Wolf (Kape)
  • The Frantics–Werewolf (Dolton)
  • Randy Fuller–Wolfman (Mustang)
  • Johnny Watson–Wolfman (OKeh)
  • Bunker Hill–Red Ridin’ Hood and the Wolf (Mala)
  • The Cellos–Rang Tang Ding Dong (I Am the Japanese Sandman) (Apollo)
  • Pig Meat Markham–Let’s Have Some Heat (Cosmopolitan)
  • El Pauling and Royal Abbit–Come On Let’s Have a Good Time (Federal)
  • The Pleasures–If I Had a Little Money (Catch)
  • The Bel-Aires–Space Walk (Arc)
  • Aaron Neville–Space Man (Parlo)
  • Jimmie Haskell and Orchestra–Rockin’ in the Orbit (Space Satellite) (Imperial)
  • [no artist listed]–Space Battle (Stories In Sound)
  • Mike Adkins–The Invaders Are Here (RCA Victor)
  • Roy Lee Johnson–Busybody (OKeh)
  • Junior Wells–You Oughta Quit That (Bright Star)
  • Eldridge Holmes–Popcorn Pop Pop (Alon)
  • Alvin Cash–Poppin’ Popcorn (Toddlin’ Town)
  • Supremes–Buttered Popcorn (Tamla)
  • Troy Thompson Band–1-2-3 (Dee Dee)
  • Little Caesar and the Romans–Popeye One More Time (Del-Fi)
  • Freddy King and His Orchestra–Double Eyed Wammy (King)
  • Millie Rodgers–There You Go (Ultima)
  • Roberto Carlos–Gato Negro (CBS; Mexico)
  • Los Babys–Jinetes en el Cielo (Peerless; Mexico)
  • The Castle Kings–You Can Get Him – Frankenstein (Atlantic)
  • Eddie Thomas–Frankenstein Rock (Spinning)
  • The Four Comets; Rock Ragge vocal–Ball-Room Baby [from EP The Blue Comets Vol. 2] (Discs Vogue; France)
  • Los Teen Tops–La Plaga (Columbia; Argentina)
  • Ray Charles–Early in the Morning (Atlantic)
  • The Goodtimers–Twistin’ Train (Epic)
  • Johnny Angel & the Halos–The Mashed Potato Stomp (Felsted)
  • Little Alfred with Berry Cups–The Mashed Potatoes Back Again (Lyric)
  • Lulu & the Luvers–Shout (Decca; UK)
  • The Who–Dr. Jekyll & Mr. Hyde (Decca)
  • Captain Beefheart & His Magic Band–Electricity (Buddah; UK)
  • Howlin’ Wolf–Going Back Home (Chess)
  • Larry Liggett–Ma Ma Yoquiero Mambo (Chess)
  • Josephine Premice–Hollywood Calypso [from EP Calypso] (Disques Vogue; France)
  • Buddy Morrow and His Orchestra–Rock ‘n Roll (Mercury)
  • Willie Dixon and the Big Wheels–Uncle Willie’s Got a Thing Going On (Federal)
  • Roberto Carlos–Noite de Terror [from EP Canta Para Juventude – Vol. III] (Discos CBS; Brazil)
  • The Regents–Barbara-Ann (Gee)
  • El Toro et les Cyclones–Vingtième Étage (Vogue; France)
  • Eddie Cochran–Latch On [from EP Pink-Peg Slacks] (Rockstar; UK)
  • Clint Miller–Bertha Lou (ABC-Paramount)
  • Mindy Lee–Let’s Go (Seg-Way)
  • Little Richard–Heeby-Jeebies (Specialty)
  • Prince Buster’s All Stars–One Step Beyond (Blue Beat; UK)
  • The Zanies–The Blob (Era)
  • Robert Ward–I Will Fear No Evil (Groove City)
  • The Astors–In the Twilight Zone (Stax)
  • The Phonetics–Ghosts (Trudel)
  • Lacy Gibson–I Am Gonna’ Unmask the Batman (Repetto)
  • The Nite-Niks–Shawnee (Lawn)
  • Esquerita–Esquerita and the Voola (Capitol)
  • Hully Gully Boys–Yabba (Amy)
  • Ronnie Cook & the Gaylads–The Goo Goo Muck (Audan)
  • Count Yates with Orch. & Chimpanzee–Chimpanzee (Regis)
  • King Coleman–The Boo Boo Song (Part 1) (King)
  • Henri Salvador–Le Martien (The Martian Hop) (Disques Salvador; France)
  • James Red Holloway–Ala Carte (Mad)
  • The Apaches–Geronimo (Mercury)
  • Jan Davis–Watusi Zombie (Holiday)
  • Los Johnny Jets–Dracula A Go Go (Discos Columbia)
  • Merv Griffin–House of Horrors (Mercury)
  • The Holidays–Deacon Brown vs. the Devil (Galaxy)
  • The Jay-Hawks with Earl Palmer and Band–The Creature (From Outer Space) (Aladdin)
  • Johnny Cale–Shock Hop (Mercury)
  • Link Wray and His Raymen–The Shadow Knows (Swan)
  • Jessie Hill–Chip Chop (My Fair Lady) (Downy)
  • Johnny Watson–Johnny Guitar (Arvee)
  • John Lee Hooker–Doin’ the Shout (ABC)
  • Bonzo Dog Band–Slush (United Artists)

None of these songs are for sale!

Smash! Crash! Booo!

As noted in an early Boogaloo Bag post, our friends Peter Aaron and Sean McDJ host a fabulous night called Smash! Crash! Bash! on the last Friday of the month at the Salt Box in Kingston, NY. The October Smasher landed on Halloween, which triggered two things to happen: 1) it was going to be fun; 2) Sean McDJ was bound to get another gig somewhere else that night! Both happenings happened. Due to the second happening, Phast Phreddie the Boogaloo Omnibus was once more called in to sub for Mr. McDJ.

Smash! Crash! Bash! is known for its eclectic mix of all things rockin’—especially punk and new wave records. On this night, Mr. Aaron and the Phast One played those kinds of records, but also quite a bit of scary-ish type of records in order to celebrate Halloween. A funny thing happened that night—a party of about twenty folks came upstairs to the Rumpus Room where the DJs are. None of them were in costume. They hung out for about an hour then left. After that, there were a bunch of folks upstairs in all sorts of costumes; witches and goblins bopped around all night. Yeah, it was a fun night.

The most impressive costume of the night had to be the fellow in the shark outfit!

Miss Nancy was able to round up a whole lot of treats for the occasion: brownies with eyeballs in them, chex mix, a candy assortment, Fab! cookies, gummy eyeballs and a jello brain! Wow! Plus, she supplied the room with a crawling brain and a walking severed hand (as seen in the photo above)!!!

Peter Aaron played a rich variety of his punk and new wave records (and he’s got an impressive collection of that stuff), plus other rockin’ jams, as he always does. Phreddie Phast Phreddie the Boogaloo Omnibus played these records:

None of these records are for sale.

Smash! Crash! Bash! Boogaloo!

[WARNING: this post is way out of order—the Boogaloo Blog writers apologize profusely for any confusion that it may incur]

Peter Aaron and Phast Phreddie swing with cool records at Smash! Crash! Bash!

Our friends Peter Aaron and Sean McDJ have a swingin’ DJ night they call Smash! Crash! Bash! that takes place on the last Friday of the month at the all mighty Salt Box in Kingston, NY. On these nights they tend to play a lot of punk, glam and new wave records, as well as old garage, soul, latin, funk—whatever they feel like playing. Both DJs are very eclectic, however, most of the night one will hear a lot of records from the seventies and early eighties. Miss Nancy likes to attend these affairs because they will play Devo, Bowie and T-Rex records, which she likes to dance to. The Boogaloo Bag writers like to attend these affairs because the DJs always play cool stuff they’ve never heard before—and that makes it interesting.

DJ Peter Aaron

Peter Aaron is a musician (most famously a member of The Chrome Cranks), a radio personality (Go-Go Kitty on Radio Kingston), and an arts editor for the Hudson Valley culture magazine (Chronogram), and the author of books (most recently a biography of Ric Ocasek). He’s a busy guy who still finds time to collect groovy records and spin them at the Salt Box.

Sean McDJ

Sean McDJ is equally busy as a photographer, a computer specialist, a professional DJ (weddings, parties, anything) and, we think, several other employments that he doesn’t talk about. He’s also a neat guy who is happy to talk about any record you can think of.

This particular Smash! Crash! Bash! was held on July 25. Originally, Sean McDJ was planning on being absent due to other arrangements. Because of this, Peter Aaron asked Phast Phreddie the Boogaloo Omnibus to step into his shoes for the night. However, as it turned out, Mr. Sean was able to make the scene after all. Instead of kicking the Phast One off the bill, they decided to add him into the mix. Usually Peter and Sean take turns playing one record at a time. This time, the three of them traded three-song sets. Our pal Pete Pop showed up to dig the scene.

This was a gas for Phast Phreddie the Boogaloo Omnibus, who had a chance to break out many songs he hadn’t played in a long time, including some new-ish ones and several by his friends from the olden days. He’ll be back on Halloween, as Sean has another gig that night!

Here’s a list of all the songs played by Phast Phreddie the Boogaloo Omnibus at Smash! Crash! Bash!

None of these records are for sale