Don Waller was a friend of The Boogaloo Bag writers for more than forty years. Suffice to say that he was pretty close to Phast Phreddie, especially during the latter’s years in Los Angeles (early Seventies to 1991, when he moved to New York). Early in their lives they influenced each other in very positive ways, most of which involved music. Waller died on November 17, after a battle with lung cancer that lasted nearly a year.
The Boogaloo Bag writers are much too saddened by Don’s death to supply much background information on their dear friend. They suggest you read his obituaries in the L.A. Times, the L.A. Weekly and one that our friend Steve Hochman wrote for buzzbands. By doing so, you will start to understand the scope of the person Waller was.
There is one truth in this world: No matter what happens, no matter if the event is tragic, terrifying, ground-breaking, or no matter how extreme, life will go on. The death of Don Waller has been devastating to us here at The Boogaloo Bag because he meant so much to us. However, life goes on; and so do DJ gigs.
It was with Don Waller in mind, about a week after his passing, that we selected records for our November gig at The Commodore. Waller dug all kinds of reet music. In the early Seventies, he turned us on to The Stooges, Mott the Hoople and The New York Dolls. Blue Öyster Cult adapted one of his songs, “This Ain’t the Summer of Love.” He dug The Clash and The Sex Pistols, X and The Blasters, The Faces and The Rolling Stones. He wrote a book about the great soul music record company Motown.
Don Waller loved soul music. After his book came out in 1985, he became the go-to guy for soul music information. He interviewed just about every living soul singing legend, semi-legend, and one-hit wonder still alive in the Eighties, from James Brown on down. He enjoyed every minute of it.
When it came time to select records for The Commodore DJ night, Phast Phreddie the Boogaloo Omnibus found himself picking records connected to Don Waller—either ones that Waller had played when they DJ’d together, had turned the Phast Man on to, had written about or had some other association with Waller. So The Boog decided to turn the night into his own personal celebration of Don Waller and their friendship. In all, about 300 or so 45s must have been pulled—way more than the Phast Man could ever play in the five hours allotted at the Friday night gig. It was hard to edit them down: He would only have time to play less than half that many records and his box only held about 160. So it was decided: Leave the hard rock, punk rock, and garage rock at home and bring only the soul and funk records.
The Boog did a little homework. He found a Waller set list from a DJ gig he did a few years ago in an old email and used it as a guide. It included many fabulous funk records, and The Boog noted that the opening and closing records were by Georgie Fame. Obviously, a preponderance of Motown (and associated) records was in order. Waller’s DJ name was Agent Double-O Soul, so the Edwin Starr record was a must (as was the Sonny Stitt instrumental version). When Waller interviewed a soul singer, he asked every one of them this question: Of your performing contemporaries, who do you think was the most underrated? Every one of them, except one, answered that they themselves were underrated. James Brown said Joe Tex. So Joe Tex records had to be played. Waller had seen Labelle play at the Santa Monica Civic Auditorium, so “Lady Marmalade” was played. Other songs we learned from cassette tapes that were sent to Waller by a Detroit music collector who was helping him with research for the Motown book. In April of 1980, The Clash played a show at the Roxy on the Sunset Strip. DJ Phast Phreddie the Boogaloo Omnibus was the opening act with Don Waller as his assistant. The last record they played before the band went on was Otis Redding’s “I Can’t Turn You Loose.” At the time, The Clash was opening its shows with a cover of “Time Is Tight” by Booker T & the M.G.’s, which has a very similar riff. The group started playing while the Otis record was spinning and it sounded as if the band was playing along with it. Waller and The Boog cracked up!! So that event was sort of recreated at The Commodore. There was one LP track that was played–a song by Major Lance that Waller dug but was never issued on a 7″ 45 RPM record. The original version of “Back Door Man” by Howlin’ Wolf had to be played, since it was the name of the hard core rock’n’roll fanzine that Waller, Phast and their pals DD Faye and Tom Gardner (among others) worked on during the mid-Seventies. And so it went.
In a sad coincidence, two artists that Waller admired, Mose Allison and Sharon Jones, also recently passed away. So their records were added to the mix as well.
Although few people in New York City knew Don Waller, the folks in attendance at The Commodore enjoyed the evening. Who doesn’t love soul music? Toward the end of the night, during one of the funk portions of the program, the place went absolutely wild, with folks frolicking and falling all over themselves; losing themselves in the music—as did The Boogaloo Bag writers.
For more than twenty years, Don Waller lived with his partner Natalie Nichols—herself an excellent music journalist. Once the tremendous shock of Waller’s death has receded somewhat (it can never recede fully for those of us who knew him), she may plan a proper memorial in Los Angeles, where many hundreds of people knew and loved him. It may be a full-on party, where we can listen to The Stooges and The Miracles and The Sonics and The Zeros and Chocolate Watchband and Wilson Pickett and Patti Smith and Little Richard and watch the video of his band The Imperial Dogs and everyone there will understand and dance and laugh and sing as we celebrate the passing of this great human being.
Maybe then we can stop crying.
Here is a list of all the records played by Phast Phreddie the Boogaloo Omnibus in tribute to his friend Don Waller at The Commodore on November 25, 2016:
- Georgie Fame and the Blue Flames–El Bandido (Imperial)
- Sonny Stitt–The Double-O-Soul of Sonny Stitt (Wingate)
- The Church Street Five–A Night With Daddy G (Legrand)
- Billy Preston–Billy’s Bag (Vee Jay)
- Jr. Walker & the All Stars–Monkey Jump (Soul)
- Don Covay & the Goodtimers–Mercy, Mercy (Rosemart)
- Mose Allison–Foolkiller (Atlantic)
- The Dynamics–I’m the Man (Big Top)
- Benny Spellman–Fortune Teller (Minit)
- Falcons–(I’m a Fool) I Must Love You (Big Wheel)
- Bobby Bland–Ain’t Nothing You Can Do (Duke)
- The Marvelettes–You’re My Remedy (Tamla)
- Muddy Waters–Manish Boy (Chess)
- The Marquees; Orch. under dir. of Ellas McDaniel–Hey Little School Girl (OKeh)
- Sam Cooke–Having a Party (RCA Victor)
- Lee Dorsey–Ride Your Pony (Amy)
- Marvin Gaye–Wherever I Lay My Hat (That’s My Home) (Tamla)
- Joe Tex–If Sugar Was as Sweet as You (Dial)
- The Marvelettes–The Hunter Gets Captured by the Game (Tamla)
- Dobie Gray–The ‘In’ Crowd (Charger)
- Rufus Thomas–Walking the Dog (Stax)
- Junior Wells–Messing With the Kid (Mel)
- Howlin’ Wolf–Killing Floor (Chess)
- Little Bob–I Got Loaded (La Louisianne)
- The Jayhawks–Stranded in the Jungle (Flash)
- Mose Allison–Parchman Farm (Prestige)
- Chuck Berry–Come On (Chess)
- Fabulous Counts–Lunar Funk (Moira)
- Sharon Jones and the Dap-Kings–What Have You Done for Me Lately? (Daptone)
- Vic Waters and the Entertainers–I’m White – I’m Alright (Crazy Horse)
- James Brown–I Don’t Want Nobody to Give Me Nothing (Open Up the Door I’ll Get It Myself) (Part 1) (King)
- Parliament–Up for the Down Stroke (Casablanca)
- The Miracles–I Gotta Dance to Keep From Crying (Tamla)
- Four Tops–7-Rooms of Gloom (Motown)
- The Monitors–Number One in Your Heart (V.I.P.)
- The Contours–First I Look at the Purse (Gordy)
- Isley Brothers–Behind a Painted Smile (Tamla/Motown; UK)
- The Freeman Brothers–Beautiful Brown Eyes (Soul)
- Jackie Wilson–Soul Galore (Brunswick)
- Darrell Banks–Open the Door to Your Heart (Revilot)
- Wilson Pickett–Soul Dance Number Three (Atlantic)
- Wayne Cochran–Harlem Shuffle (Mercury)
- Willie Parker–I Live the Life I Love (M-Pac!)
- The Cookies–Chains (Dimension)
- Deon Jackson–Love Makes the World Go Round (Carla)
- Chris Clark–From Head to Toe (Motown)
- Supremes–Buttered Popcorn (Tamla)
- The Miracles–Ain’t It Baby (Tamla)
- Marvin Gaye–Baby Don’t You Do It (Tamla)
- Bar-Kays–Soul Finger (Volt)
- Cliff Nobles & Co.–The Horse (Phil-L.A. of Soul)
- Chuck Wood–Seven Days Too Long (Roulette)
- The Bandwagon–Breakin’ Down the Walls of Heartache (Epic)
- Butlers–She Tried to Kiss Me (All I Could Do Was Run) (Liberty Bell)
- Sheriff & the Ravels–Shombalor (Vee-Jay)
- Howlin’ Wolf–Hidden Charms (Chess)
- James Brown and the Famous Flames–I’ll Go Crazy (King)
- The Isley Brothers–Testify (Part I) (T-Neck)
- Barbara Randolph–Can I Get a Witness (Soul)
- Eddie Bo–Hook and Sling – Part I (Scram)
- Bobby Williams and his Orchestra–Funky Super Fly – Pt. 1 (Duplex)
- Sharon Jones–You Better Think Twice (Desco)
- Tom Dooley & His Lovelights–Tight Rope (TRX)
- The Miracles–Mickey’s Monkey (Tamla)
- Martha & the Vandellas–I’m Ready for Love (Gordy)
- The Supremes–He’s All I Got (Motown)
- Bob Brady & the Con Chords–More, More, More of Your Love (Chariot)
- The Crystals–He’s a Rebel (Philles)
- Ernie K-Doe–A Certain Girl (Minit)
- Sam & Dave–I Thank You (Stax)
- Homer Banks–A Lot of Love (Minit)
- Harvey Scales & the 7 Sounds–Love-Itis (Magic Touch)
- Soul Brothers–Some Kind of Wonderful (Atlantic)
- Joe Tex–Baby Be Good (Dial)
- Edwin Starr–Agent Double-O-Soul (Ric-Tic)
- Marvin Gaye–Ain’t That Peculiar (Tamla)
- The Temptations–Ain’t Too Proud to Beg (Gordy)
- Shorty Long–Function at the Junction (Soul)
- The Supremes–My World Is Empty Without You (Motown)
- The Spinners–It’s a Shame (V.I.P.)
- Archie Bell & the Drells–‘There’s Gonna Be A’ Showdown (Atlantic)
- The Trammps–Hold Back the Night (Buddah)
- Major Lance–What’s Happening [from LP The Monkey Time] (OKeh)
- Tyrone Davis–Turn Back the Hands of Time (Dakar)
- The O’Jays–Lipstick Traces (On a Cigarette) (Imperial)
- Jamo Thomas & His Party Brothers Orchestra–I Spy (For the FBI) (Thomas)
- Lou Courtney–Hey Joyce (Pop-Side)
- Steve Colt–Dynamite (Big Beat)
- The Vibrettes–Humpty Dump pt. 1 (Lujon)
- Dyke and the Blazers–So Sharp (Original Sound)
- The Honey Drippers–Impeach the President (Alaga)
- Arthur Jackson–The Philosophy of Chopp Funk (Part 1) (A.J.’s)
- Heatwave–Grooveline (Epic)
- Parliament–Flash Light (Casablanca)
- The Fabulous Counts–Jan Jan (Moira)
- Labelle–Lady Marmalade (Epic)
- Eddie Bo–Check Your Bucket Pt. I (Bo-Sound)
- Sly and the Family Stone–Thank You falettinme Be Mice Elf Agin (Epic)
- The Dixie Cups–Two-Way-Poc-A-Way (ABC-Paramount)
- The Versatones–Bila (Atlantic)
- Sugar Boy–She’s Gotta Wobble (When She Walks) (Imperial)
- Howlin’ Wolf–Back Door Man (Chess)
- Barrett Strong–Money (That’s What I Want) (Tamla)
- Otis Redding–I Can’t Turn You Loose (Volt)
- Booker T. & the M.G.’s–Time Is Tight (Stax)
- Ted Taylor–(Love Is Like A) Ramblin’ Rose (OKeh)
- Eddie Bo–Every Dog Got His Day (RIC)
- R. Dean Taylor–There’s a Ghost in the House (Tamla/Motown; UK)
- Eddie Floyd–Big Bird (Stax)
- Eddie Holland–Leaving Here (Motown)
- Johnny & Jackey–Someday We’ll Be Together (Tri-Phi)
- Georgie Fame–Beware of the Dog (Epic)
- Santo & Johnny–Sleep Walk (Canadian American)
None of these records are for sale.
Still so gutted over the passing of my friend, Don Waller, but am thankful that Phast put together such a perfect evening of respect, celebration, love and glorious release for Agent OOSoul. Anyone reading this list, who knew Don, knows it was perfectly Waller. Phast Phreddie has always been a good man. Thank you for posting the play list.