Sunday Soul Screeeeeeeeeem!!!!

OurWickedLady

Our pal Jonathan Toubin, truly a premier DJ of reet music if ever there was one, hosts the groovy Sunday Soul Scream on the rooftop of Our Wicked Lady through the summer months. He is a very busy man. On Sunday July 1, he was scheduled to be in Los Angeles for a series of events and could not make the Scream. To host the night, he roped in Haley Griffin and Bailey Leiter to make sure the evening ran smoothly. One of Brooklyn’s bossest bands The Othermen agreed to appear. Our new  friend The Wig Doctor was signed on to spin records before the band played. Post band DJs picked for this occasion were Avi Spivak of Rebel Rouser and Phast Phreddie the Boogaloo Omnibus. The night was warm and humid–indeed, everyone was sweatying–and Our Wicked Lady responded with an assortment of frozen cocktails. The moon was out and a lot of our friends showed up to swing with us.

The secret of the evening is the room on the ground floor which is air conditioned. The music from the rooftop is piped in, so no one missed a single needle-drop. Phast Phreddie‘s favorite thing: they have an excellent ginger beer on tap!

On the Googles, Our Wicked Lady is noted as a “hip music venue, arts complex & roof bar.” And so it is. Although the bar itself is of average size, the rooftop area is fairly sizable, allowing for a stage on one end and a bar, with DJ setup, on the other. It is situated in a very industrial area of East Williamsburg where few people live. Thus it can have loud music playing well into the night with nobody complaining. At about five minutes from the Morgan Avenue L Train stop, it is in a very convenient location.

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Bailey & Haley swing at the Sunday Soul Scream

As Mr. Toubin so aptly put it, Haley and Bailey are “two snazzy babes.” After being on the scene and witnessing things going down for several years, they started their own event Je T’Aime Oh No, which takes place every Monday at Berlin. These gals know how to party, that’s for sure.

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Bailey & Haley introduce The Othermen at the Sunday Soul Scream.

The Othermen is a grunge rock band in the pure sense of the word (having absolutely nothing to do with the so-called grunge rock movement of the early Nineties). At dictionary.com, “grunge” is defined as “dirt, filth, rubbish.” That’s exactly what this group sounds like, in the most fabulous way imaginable. With every instrument played at levels that achieve stunning audio distortion, this group makes a righteous, rockin’ noise unlike any other–with the optimal word being “noise” and the noise is boss! Highly recommended.

Othermen

The Othermen in action!

The Boogaloo Bag writers first met The Wig Doctor when they DJed together at one of DJ Rata’s Shake It Up Sundays last summer. He played some heavy, heavy mambos and cumbia records that we all dug. He is often seen working on Thursdays at Friends and Lovers in Prospect Heights and spins at Our Wicked Lady fairly regularly. He also pals around with Drew Redmond and they often DJ together, such as their Gettin’ Ugly night at the Beauty Bar. On this night, The Wig Doctor mixed it up with an eclectic set of rock, soul, funk, mambo and several other exotic styles. It was a gas.

WigDoctor

The Wig Doctor swings at the Sunday Soul Scream.

Besides being an incredible artist, Avi Spivak is a cat with a bunch of boss trash. He swings at the Rebel Rouser, a cool record and groovy stuff store. LPs, 45s, books, horror magazines, underground comix, and weird cult movies are all there for the buying. Located on Broadway, near the edge of Bushwick, it may seem small, but everything the place sells is gear. Rebel Rouser has hosted Rebel Rouser Club House nights at Ceremony with Josh Styles, William Martin, usually a rockin’ band and always Avi Spivak. A solid good time.

Avi

Avi Spivak swings at the Sunday Soul Scream.

The rooftop space was place was full of folks to dig The Othermen, and most of them stayed to dance to the solid sounds laid down by the two late-night DJs. Phast Phreddie the Boogaloo Omnibus did not fool around by playing any lukewarm jive. Every record he played had super Go-Go Beat excitation. He must have gotten hungry around three quarters through the night as he played five food records in a row. Six if you count the Phil Flowers record (“…having to scrounge your next meal”)!

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Phast Phreddie the Boogaloo Omnibus swings at the Sunday Soul Scream.

Here’s a list of all the records played by Phast Phreddie the Boogaloo Omnibus at the Sunday Soul Scream:

None of these records are for sale. Some of them have links to the youtubes for you to dig.

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Wham-O! Wham-O! Wham-O! Wham-O!

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Your WHAM-O WATUSI crew: Durian Sound, Phast Phreddie the Boogaloo Omnibus and Drew Redmond.

On Saturday May 7, the WHAM-O WATUSI continued it’s run at the Bootleg Bar (this was the tenth WHAM-O!) and also continued an international theme—sort of. Guest DJs were the inimitable Drew Redman, who isn’t really international but can be counted on to play some super boss tracks, and the mysterious Durian Sound. Host DJ Phast Phreddie the Boogaloo Omnibus was very happy to have been able to gather these two into the Bootleg Bar for the WHAM-O.

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Drew Redmond swings at WHAM-O WATUSI!

Drew Redmond is from Carthage, New York, a town that may as well be on the other side of the planet. Probably the only reason to go there would be to gas your car if you were to drive to Ottawa. However, Mr. Redmond grew up to be a righteous dude with some very boss records; thus he has become one of the most popular DJs on the reet music scene. He dropped by the WHAM early and swung with a set of his groovy tunes, then went off to judge the dance competition at the nearby New York Night Train Soul Clap event. He then popped back into the Bootleg Bar in time to play another set around the end of the evening. It’s always a gas to dig Mr. Redmond when he works the turntables. He has a knack for rockin’ R&B and primitive rock’n’roll records that must be heard to be believed.

The international portion of the WHAM-O program was ably taken care of by DJ Durian Sound. As record dealer Menda, he has sold a number of weird records to The Boog over the years. The recent WFMU Record Fair was no exception. Durian Sound is a world traveler who spends quite a deal of time in East Asia. Indeed, he played a number of rockin’ records from the region, and around the world, mixed in with some cool R&B and even gospel records. With Durian Sound in the DJ booth, it was as if the Bootleg Bar had turned into an exciting, international discothèque! A gallery of some of the records he played can be seen here:

45_Apples 45_Buzzard 45_Chinese 45_Guven 45_Irama 45_Panix 45_Peerless 45_Psalms 45_Rhythm 45_USSR_Beatles 45_WardSingers

Phast Phreddie the Boogaloo Omnibus also played a few international releases. There were some gals from Spain in attendance, so a slew of Spanish language records were played in a row. Also played were records from Turkey, the Netherlands, France and Germany. Calypso, reggae and Afro Beat sounds were all represented. Here’s a list of all the records played by The Boog:

 

None of these records are for sale.

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Danny Says: Let there be Boogaloo!!!

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Danny Fields is an unsung, non-musician, heroes of modern rock ‘n’ roll. He is the kind of guy who seems to have been at the right place at the right time and smart enough to know what he was doing. During the mid-late sixties, he was involved with the Andy Warhol scene, which then included Nico and The Velvet Underground; he had a radio show on WFMU during its early days pioneering the free-form format; he was involved with getting rock musicians on the covers of teen magazines; he worked at folk-oriented Elektra Records when it was becoming more involved with rock music; at Elektra, he helped publicize Judy Collins and The Doors (according to legend, it was Mr. Fields who suggested to Elektra that an edit of the seven-minute song “Light My Fire” would be a hit), and he got The Stooges and the MC5 signed to the label; he worked with The Modern Lovers; and he discovered The Ramones, even managed them during their early years.

That’s not all. He was a friend of Linda Eastman before she married Paul McCartney. He managed a young folk singer from Mississippi named Steve Forbert. He is an author and a photographer. And now he is the subject of a documentary called Danny Says—titled after a Ramones song that name-checks him. The film was recently completed and had its New York premier on Tuesday September 22 at the Players Theater in the West Village. Check here for more information on the movie.

After the premier, a reception for the movie was held at 49 Grove—an elegant, dimly lit, exclusive nightclub just a few blocks away from the theater. Hosted by the authors of the New York Punk Rock Bible Please Kill Me Gillian McCain and Legs McNeil. Asked to DJ the party was none other than Phast Phreddie the Boogaloo Omnibus, who was honored to do so.

Unfortunately, due to the location of the DJ booth in the club—literally a hole in the wall that could easily be overlooked—The Boog was unable to identify most of the luminaries in attendance—except the tall Mr. Thurston Moore, who towered over everyone in the room. Other notable attendees were a whole bunch of folks who currently DJ at free-form radio station WFMU, including Todd-O-Phonic Todd, Miss Shiela B, Joe Belock and Dave the Spazz, as well as the Boog’s old pal and ex-WFMU DJ The HoundDanny Fields, of course, was too hip to be at his own movie premier and/or reception! The photos appearing in this post were mostly taken from inside the DJ booth (click on the photos and they will big-o-fi).

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For his part, Phast Phreddie played all sorts of records that were appropriate for the evening, which started when he played The Ramones’ “Danny Says”—which was played about three or four more times during the evening, as the occasion necessitated. Here’s a list of all the songs played by Phast Phreddie the Boogaloo Omnibus at the reception for the film Danny Says:

  • Ramones–Danny Says [from LP End of the Century] (Sire)
  • Bob Thiele and his New Happy Times Orch. with Gabor Szabo–Light My Fire (Impulse)
  • The Velvet Underground and Nico–All Tomorrow’s Parties (Verve)
  • Patti Smith–Piss Factory (Mer)
  • Tim Buckley–Aren’t You the Girl (Elektra; UK)
  • Mott the Hoople–All the Young Dudes (Columbia)
  • T-Rex–The Groover (EMI; UK)
  • Steve Forbert–Goin’ Down to Laurel (Nemperor)
  • The Doors–Take It as It Comes (Elektra; UK)
  • Lou Reed–Vicious (RCA; Germany)
  • The Stooges–Real Cool Time (Elektra; France)
  • The Velvet Underground & Nico–Femme Fatale (Verve)
  • Mink DeVille–Soul Twist (Capitol; UK)
  • The Byrds–Mr. Spaceman (Columbia)
  • The Rolling Stones–Get Off of My Cloud (Decca; UK)
  • Paul Revere and the Raiders featuring Mark Lindsay–Kicks (Columbia)
  • The Monkees–A Little Bit Me a Little Bit You (Colgems)
  • The Ramones–I Wanna Be Sedated (RSO)
  • The Velvet Underground–White Light/White Heat (Verve)
  • Eddie & the Hot Rods–Do Anything You Wanna Do (Island; UK)
  • Television–Venus (Elektra; Japan)
  • The Modern Lovers–Roadrunner (Beserkley; UK)
  • The Fleshtones–Remember the Ramones (Yep Roc)
  • Ramones–Sheena Is a Punk Rocker (Sire)
  • The Flamin’ Groovies–Shake Some Action (Sire; UK)
  • MC5–Looking at You (A Square)
  • New York Dolls–Who Are the Mystery Girls? (Mercury)
  • Patti Smith–Ask the Angels (Arista)
  • The Doors–Break on Through (Elektra; UK)
  • Les Baronets–Hello Je T’Aime (CanUSA; Canada)
  • La Lupe–Touch Me (Roulette)
  • Blondie–X Offender (Private Stock)
  • The Shangri-Las–Give Him a Great Big Kiss (Red Bird)
  • Martha & the Vandellas–Nowhere to Run (Gordy)
  • David Johansen–Funky But Chic (Blue Sky)
  • Talking Heads–Life During Wartime (Sire)
  • Roxy Music–Do the Strand (Warner Bros./Back to Back Hits)
  • Alice Cooper–Under My Wheels (Warner Bros.)
  • The Velvet Underground featuring Lou Reed–Sweet Jane (Atlantic; Germany)
  • MC5–Kick Out the Jams (Elektra)
  • The Stooges–I Wanna Be Your Dog (Elektra)
  • Ramones–Now I Wanna Sniff Some Glue [from LP Ramones] (Sire)
  • Andy Wharol’s Velvet Underground–I’m Waiting for the Man (M-G-M; Germany)
  • The Rolling Stones–Mothers Little Helper (London)
  • The Equals–Police on My Back (RCA; Japan)
  • Elliott Murphy–Last of the Rock Stars (Polydor)
  • Jimi Hendrix Experience–All Along the Watchtower (Reprise)
  • Love–Little Red Book (Elektra)
  • The Doors–Soul Kitchen (Elektra)
  • Lou Reed–Walk and Talk It (RCA)
  • Pretenders–The Wait (Real; UK)
  • The Beatles–Helter Skelter (Capitol)
  • Iggy & the Stooges–Penetration (Columbia)
  • The Move–Brontosaurus (A&M)
  • The Doors–Not to Touch the Earth (Elektra; Portugal)

None of these records are for sale.

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Gillian McCain (Please Kill Me) and James Marshall (The Hound) swing at the reception for the “Danny Says” movie.

Out of Sight V!

Moses Funk swings at Out of Sight!

Moses Funk swings at Out of Sight!

On September 17, Phast Phreddie the Boogaloo Omnibus returned to the Beauty Bar in Manhattan to swing at Out of Sight—the goovy soul dance party hosted by our pal DJ Xerox every Thursday night. This time his co-guest DJ was Moses Funk.

Mr. Funk is from Boston, where he hosted two fabulous dance nights: Cheap Thrills a’ Go-Go—a montly sex-a-dellic Go-Go party that the Boog once guest DJed at—and the Mambo Beat Club—a bi-weekly soul music event. He now lives in Brooklyn where a few years ago he started the Brooklyn Soul Club, which is currently on hiatus while Moses Funk develops some sort of scientific turntablist project. For Out of Sight, Moses Funk came armed with a box of old soul 45s and he played the hell out of them, too!!

Here’s a list of all the songs played by Phast Phreddie the Boogaloo Omnibus:

  • Pieces of Eight–Who’s Afraid of Virginia Woolf (A&M)
  • Hank Jacobs–Monkey Hips & Rice (Sue)
  • The Cooperettes–Don’t Trust Him (Brunswick)
  • Naomi Davis Shelton & the Knights of Forty First Street–Forty First Street Breakdowne (Desco/Daptone)
  • Martha Reeves & the Vandellas–I Gotta Let You Go (Gordy)
  • Joe and George–You’re Gonna Miss Me (Now)
  • The Passions–Hi Jacked Part I (Tower)
  • The Sweethearts–This Couldn’t Be Me (Kent)
  • Bobby Wilson–Feels Good (Volt)
  • Gene Chandler–I Can’t Save It (Constellation)
  • Rose Batiste–That’s What He Told Me (Golden World)
  • The Glories–No News (Date)
  • Herbie Mann (vocals by Little Milton, Swee-Tea and Percy)–It’s a Funky Thing – Right On (Part 2) (Memphis Underground) (Atlantic)
  • John Roberts–Sockin’ 1-2-3-4 (Duke)
  • Johnny Tolbert–Check Your Battery Part I (Jasman)
  • Jerry Washington–Set Your Soul on Fire (Excello)
  • The Exception–You Don’t Know Like I Know (Capitol)
  • Buddy Miles Express–Memphis Train (Mercury)
  • Lorraine Ellison–Call Me Anytime You Need Some Lovin’ (Mercury)
  • Smokey Robinson & I Miracles–Non Sono Quello Che Tu Vuoi (Tamla/Motown; Italy)
  • Pat Lewis–Can’t Shake It Loose (Golden World)
  • Roy Head–I Want Some Action (Mercury)
  • Charles Bradley & Larose Jackson–Luv Jones (Dunham)
  • Aretha Franklin–Pullin’ (Atlantic)
  • Judy White–Somebody Been Messin’ (T-Neck)
  • Frankie Newsome–My Lucky Day – Part I (GWP)
  • James Brown–I Love You (King)
  • The Hot Tamales–Out of Sight (Diamond)
  • Gary (U.S.) Bonds–Copy Cat (Legrand)
  • George Jackson–Tossin’ and Turnin’ (Mercury)
  • Paul Peek–Rockin’ Pnewumonia and Boogie Woogie Flu (Columbia)
  • Maurice Simon and the Pie Men–The Git-Go (Carnival)
  • Jimmy McQuade and the Unique Echos–Bongo Talk (Swan)
  • Gladys Knight & the Pips–Cloud Nine (Soul)
  • The Delights Orchestra–Do Your Thing (Atco)
  • King Solomon–The Moon Walk (Highland)
  • Tommy Strand & the Upper Hand–The Trik (R)
  • J. Hines and the Boys–Funky Funk (Part 1) (Nation-Wide)
  • ‘Wee’ Willie Walker–Ticket to Ride (Goldwax)
  • Cresa Watson–These Boots Are Made for Walking (Charay)
  • The 5th Dimension–Sunshine of Your Love (Liberty; Germany)
  • The Magnificent Men–Almost Persuaded (Capitol)
  • Wilson Pickett–Funk Factory (Atlantic)
  • H.B. Barnum–Blessed Mother (Cozy)
  • Otis Redding–Look at the Girl (Atco)
  • Lester Young–Barefootin Time in Chinatown (Barry)
  • Wallace Brothers–Airborne Shuffle (Jewel)
  • Andre Franklin with the Preston Epps Trio, Jim Ashford – drums–Say Yeah!! (Polo)
  • The Counts–Chitlins, Etc. (Panorama)
  • Howard Peters–Tighten Up the Slack (Coral)
  • Mason & Dixon–Soul Power (Buttercup)
  • Vigon–Baby Your Time Is My Time (Egg; France)
  • Jerry-O–Scratch My Back (Boo-Ga-Loo)
  • Chuck Jackson–Good Things Come to Those Who Wait (Wand)
  • Toussaint McCall–I’m Gonna Make Me a Woman (Ronn)

None of these records are for sale.

Ursa Major swings at Boogaloo Movement!

Phast Phreddie the Boogaloo Omnibus and Ursa Major swing at Boogaloo Movement!

Phast Phreddie the Boogaloo Omnibus and Ursa Major swing at Boogaloo Movement!

As all regular readers of the Boogaloo Bag know, the fourth Friday of every other month is the time when Phast Phreddie the Boogaloo Omnibus brings a fantabulous DJ night to The Commodore in Williamsburg, Brooklyn. Over the last few years, there has been some really boss nights. This most recent event, held on July 24, was certainly one of them. Called Boogaloo Movement, it featured the most excellent 45 rpm record-spinning of Ursa Major—a swingin’ hepcat with an amazing record collection.

When it comes to DJing, Mister Major has been around the block a few times. He used to guest DJ at the Subway Soul Club, plus he often hosts a night of his own, at the Banter Bar, the Grand Victory and other swell joints around town. Ursa Major is part of a DJ collective known as Legio SPQR, and as such, has traveled internationally playing his records. Also, Ursa Major is the drummer for a hot Oi! punk band called The Templars, a group that has made records and toured Europe.

Ursa Major and some of his pals enjoy a night of wompin' good music at Boogaloo Movement!

Ursa Major and some of his mates enjoy a night of wompin’ good music at Boogaloo Movement!

Mostly, when Mister Major swings it is with his ska, rocksteady, reggae and soul records—of which he has thousands. He also has some of the finest freakbeat records you’ll ever hear—plus some cool French stuff. At Boogaloo Movement, he delighted the crowd with all that and more. Place was jumpin’ all night long. In fact, before the end of the night, drinks were spilled and glass was broken: another exciting Wang Dang Doodle event took place!!!

For his part, host Phast Phreddie the Boogaloo Omnibus also went with an international flavor, playing records from such countries as Japan and Jamaica, Canada and Germany, Spain and France, England, Holland and Italy! It was a groovy night, to say the least. Make sure you, dear Boogaloo Bag reader, are able to make it to the next Commodore night—September 25—because it, too, will be boss. Make your plans now.

Here’s a list of all the records played by Phast Phreddie the Boogaloo Omnibus at Boogaloo Movement:

None of these records are for sale.

The Commodore has a new tropical fish tank!!

The Commodore has a groovy new tropical fish tank!!

Boogaloo gives Satisfaction!!

DJ Zerox and The Boog swing at the Copycat Cover Song Night Tribute to the Rolling Stones!

DJ Zerox and The Boog swing at the Copycat Cover Song Night Tribute to the Rolling Stones!

As every Boogaloo Bag reader should know by now, Copycat Cover Song Night is always a good time. Hosted by our pal DJ Xerox, who picks an artist and invites bands and DJs to come to Otto’s Shrunken Head and honor that artist one way or another. Each band will add several songs by that artist in its respective set. Sometimes a band will form in order to perform only songs by that artist. The guest DJ usually plays songs that pertain to the artist in one way or another—or at least cover songs of some sort.

On Wednesday June 10, the honored artist was The Rolling Stones. The bands were:

LadyJanes

The Lady Janes—formed just to play a set of Stones songs.

 SaintRocco

Saint Rocco

 ElectricPeople

Electric People

 

Phast Phreddie the Boogaloo Omnibus was guest DJ and he only played Rolling Stones songs as performed by everyone but The Rolling Stones! He took requests from the floor—name a Rolling Stones song (preferably one from the sixties)—and he was able to play a version of it; sometimes instrumental, sometimes in a funny language. Although The Boog usually plays only 7” 45 RPM records, he played a few cuts from LPs as some tracks only exist in that format. Also, a full dozen of the 60 records he played were from the Norton Records Rolling Stones cover song series. Norton Records continues to be one of modern music’s secret weapons. It regularly releases great reissue titles (the recent Soul Clap series of hits hand-picked by our pal Jonathan Toubin is essential), as well as new music by such fabulous current stars as Daddy Longlegs and Miriam. The Rolling Stones series is a genius concept where a different act presents its rendition of a Rolling Stones song on each side of a 7” single. The 12 songs played by The Boog at Copycat Night is just a taste of the 32 releases—66 songs in all, counting the four songs on the Their Hispanic Majesties Request two-disc set of songs sung in Spanish! This extensive Norton action was intended to salute Norton head honcho Billy Miller, who has been experiencing some health issues recently. Get well soon, my friend!

The fun did not stop there! One of the greatest songs in all Rock’n’Roll is “Satisfaction”—officially titled “(I Can’t Get No) Satisfaction.” The opening riff is one of the most identifiable pieces of music of the last fifty years. It may be no exaggeration to say that it has been recorded more than a hundred times. After the bands played, Phast Phreddie the Boogaloo Omnibus played 26 versions of the song in what can only be described as a Super Rock Mega Mix! When it was all over, everyone in Otto’s could easily state that they had received some sort of “Satisfaction!”

Here’s a list of all the songs presented by Phast Phreddie the Boogaloo Omnibus at the fourth annual Copycat Cover Song Night Tribute to The Rolling Stones:

None of these records are for sale.

Twist All Night!

Nogood Nick, Sheila B and Phast Phreddie the Boogaloo Omnibus swing at TWIST ALL NIGHT!

Nogood Nick, Sheila B and Phast Phreddie the Boogaloo Omnibus swing at TWIST ALL NIGHT!

TWIST ALL NIGHT! is a new Boogaloo Night concept, developed in the WANG DANG DOODLE laboratories, especially for the nights at the Commodore. These nights, held every other fourth Friday of the month, often play host to some of the most fabulous music in existence. TWIST ALL NIGHT!, which made its debut on May 22, was no exception. With guest DJs Sheila B and Nogood Nick, you KNOW some great records were played.

TWIST ALL NIGHT! will feature some of the finest DJs who play boss 45s. They will be allowed complete freedom to play anything they want—as long as it is REET! Sheila B and Nogood Nick are two DJs who excel at this sort of program.

 

Sheila B works her thing at TWIST ALL NIGHT!

Sheila B works her thing at TWIST ALL NIGHT!

Sheila B, who is internationally known as the Queen of the Girl Group 45, spun plenty of those, sure, but also some keen freakbeat, French ye-ye, hot R&B and some other tuff stuff. She just kept it coming, until she had to leave a bit early, since she wasn’t feeling well.

 

Nogood Nick works with a clean needle at TWIST ALL NIGHT!

Nogood Nick works with a clean needle at TWIST ALL NIGHT!

Luckily, Nogood Nick was in the house. He’s one of those DJs who, for some reason, rarely seems to be on anybody’s list of Top DJs. However, he’s got great records and knows how to play them, and therefore, should be on the top of everybody’s list! It is quite possible that he is the most underrated DJ on the scene. Before TWIST ALL NIGHT!, he and Miss Sheila barely knew each other. In fact, Mr. Nick succeeded in grabbing Miss Sheila’s attention by playing a whole set of nothing but fantastic girl group records. She dug Nogood Nick’s work so much that she invited him to be guest DJ at the next Sh-Boom, the groovy new dance night she hosts at Baby’s All Right (dig it on June 26).

 

For his part, TWIST ALL NIGHT! host Phast Phreddie the Boogaloo Omnibus played a lot of records he has never played out before—some of them because they were newly acquired, others because they awaited the perfect moment for them to be played, and still others because they have been buried inside the Boogaloo Vault so deep that they were unreachable! Also, note, two B.B. King records were played to further honor the passing of the great bluesman.

 

The following is a list of all the records played by Phast Phreddie the Boogaloo Omnibus, some with links to clips on the youtubes. Below that is a gallery of records that were played – click on the image and it will Big-O-Fi right on your computer screen!

None of these records are for sale.

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Next Boogaloo Night at the Commodore will be July 24. Don’t you dare miss it!!